that someday is today

In June of 2012, a couple months after publishing Martuk the Holy, I found myself still haunted by those people in the pages. Having created monsters, I really wanted to strip them of their cruelty and discover their humanity. Figure out the Whys to their Whats. See who they were before they became nightmares.

So, with my own life at the time incredibly dark and difficult, I sat down and, giving voice to that darkness, wrote The Wounded King, the first in what I hoped would be an ongoing series of short fiction. Though unspoken at the time, my ultimate goal was to someday, hopefully, compile these books into a collection.

Today, with the release of The Martuk Series, Vol. 1, A Collection of Short Fiction, that someday is today.

And that’s kinda cool.

“Powerful and brutally honest. Assassin’s Creed meets a darker and more ancient mythology. Winn sees the world like no other author I’ve ever read.” – Joe Mynhardt, Publisher/Founder, award-winning Crystal Lake Publishing

“Equal parts deceptive beauty, haunting darkness and shocking brutality. Jonathan Winn’s prose drags you, the reader, through a gauntlet of experiences. It’s a horror reader’s nightmare come true.” – Zakk, The Eyes of Madness

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an easy lie

In the silence of the Temple, they spoke.

A murmur, a sigh, an awakening, a cry.

Mother …

Father …

King …

I moved my cheek from the stone, the pain of the whispers too great to bear.

Although night, the workers — slaves, prisoners of war, many of them mere boys — still pulled and pushed the immense blocks into place, the already overwhelming Temple forever expanding, a veritable mountain of stone at the edge of the city.

For many of them, this was all they knew, their lives after capture, after defeat, one of constant work, nonexistent sleep, and death, quick and inevitable.

Above them all, the Priests watched.

And here, under the light of an almost full moon, the pain, the rage, the powerless despair of all those trapped and troubled bones in the stone surrounded me like a fog.

In the quiet, safe in the dark, far from those who watched and those who worked, I pressed myself to the cool rock.

I would listen.

Cry …

Whimper …

Sob …

Yes, I feel you.

Wound …

Suffer …

Die …

I pulled away.

Die …

King …

Die …

“They know you.”

I turned.

A small woman stood behind me, her long hair as silver as the light bathing her, the years in her face softened by the glow of the moon.

I glanced around for my guards. But, no, I had left them hours ago, ordering them away before I climbed the hill to the Temple.

“Your guilt needed solitude,” she said. “Your shame too great to share, yes?”

She waited.

I nodded.

Yes.

“And this is why you, the Almost King, stand here now, at this hour, under the moon, listening.”

She stepped closer.

Though draped in woolen, the rough fabric scarred by clumsily mended rips and tears, her feet bare, her wiry frame alarmingly thin, she carried herself with an unapologetic sense of majesty and dignity and strength as she moved near.

“Is your power worth all that death?”

“No.” The answer came from me, quick and unthinking. “No.”

“And yet it is not something you can deny, this power. This crown. It will be yours regardless of what you want or what you do. Or what I do. Born into this, you are as trapped as those in the stone.”

The tears threatened to come. I blinked. And blinked again.

“The most powerful of men,” she said, her voice gentle and kind, “utterly powerless to change what must be changed.”

Watching me, she grew silent as if she, too, were listening.

She turned her head, her gaze on the workers in the distance, the sweat on their skin shining under the glow of torchlight.

“Your mother is one with the Dark Gods, yes?”

I hesitated.

“There’s no need to answer.” She continued to watch the nameless who toiled under the gaze of the constant moon. “It’s commonly known, understood. We barbarians, as she calls us, here in the city talk of her and the Priests and their ancient religion. Those beliefs from the Time of the Moon. Of their worshipping those who must be paid in blood, in flesh, in fear. In the tears and cries of those they slaughter.”

“This is known?”

Looking at me, she continued.

“It is also known, and spoken of, that once these souls are bled and lifeless and useless, they burn –”

“Stop. Please.”

She stopped.

It was my turn to watch the strangers pull and push, the thick, braided rope threatening to split and shred under the weight of the stone.

“The gift you must give,” she said, my mother’s words echoed in hers.

“Is something I regret.” I refused to look this stranger in the eye. “Something I wish I didn’t have to do. Something I wish I had never done.”

“But it’s done.”

I looked at her.

“She’s a very powerful woman, your mother. Not many can deny her. Not many dare. Those who do …. ”

She grew quiet, the thought unfinished.

“And the Priests?” I asked. “What of them? Do the people talk about the Priests?”

“Yes, they do. And they understand what you and your mother do not: these men, these Priests, are more powerful than you know.”

“She believes she’s a God.”

“An easy lie for them to feed her. And her mind …”

Hesitating, she looked for the words.

“Her mind is wounded and hungry. Desperate for comfort, the grief, the guilt, the horror of what she’s done still at war with the tender delusion of her immortality.”

“She struggles.”

“And eats.”

Confused, I watched her, her eyes almost silver under the light of the moon.

“The bones are in the stones, yes?” she asked.

I waited.

“And what of the flesh? The flesh you burn before they grind these bones?”

She stopped, watching me before asking again.

“What of the flesh?”

— an excerpt from The Martuk Series, A Collection of Short Fiction, Vol. 1

COMING SOON

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nightmare come true

The Martuk Series: A Collection of Short Fiction, Vol. 1

“Equal parts deceptive beauty, haunting darkness, and shocking brutality. Jonathan Winn’s prose drags you, the reader, through a gauntlet of experiences. It’s a horror reader’s nightmare come true.” — Zakk, The Eyes of Madness

The-Martuk-Series-cover-CROP-2

COMING SOON

powerful and brutally honest

The Martuk Series: A Collection of Short Fiction, Vol. 1

“Powerful and brutally honest. Assassin’s Creed meets a darker and more ancient mythology. Winn sees the world like no other author I’ve ever read.” – Joe Mynhardt, Publisher, Crystal Lake Publishing

COMING SOON

The-Martuk-Series-Cover-CROP

borne by the consequences of choice

From the blood drenched depravity of The Wounded King, the ancient curses of The Elder, the sadistic betrayal of Red and Gold and the cruel heartbreak of The Tall Priest, we now follow The Magi as he begins his descent into destruction and madness.

It begins with doubt.

Blessed with powerful magic, shrouded in savage infamy in a land one thousand years before  Christ, the immortal Magi is feared and revered. The counsel to shamans and kings. His authority unquestioned. But when faced with a dangerous choice, he stumbles.

Driven by false hope, he walks into the darkest of magic. Encouraged by the whispered promises of an impossible priest, he’s witness to monstrous sights. Ignoring the dire warnings of an ancient witch, he kneels, the goal at hand but his soul broken. And, the journey at an end, the most dangerous of deeds having been done, he stumbles again, burdened by a regret that follows him for millennia.

A man battered beyond repair. An immortal desperate to reclaim his darkness. A legend trapped in a nightmare without end borne by the consequences of choice.

This is…The Magi.
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Coming Soon.

it is dark, it is brutal

In all honesty, I’m not big on reviews. I mean, obviously it’s nice when you get great ones – and I’ve been extremely lucky to get more than my fair share – but I’ve also gotten some not-so-nice ones. So, eh, it’s all a crapshoot, right? Best to not take it too seriously or let it define you or what you can do.

I just keep on writing.

But sometimes, only sometimes, does a review come in that makes me sit up and pay attention. That makes me break my standard “don’t read reviews” policy and actually sit down and – gulp – read the review. And sometimes, only sometimes, do I get an opinion of my work from someone who is becoming one of the preeminent voices when it comes to reviewing horror.

And that’s what happened recently. That it happened for Martuk…the Holy, the first book that started this whole writer journey for me way back in 2012 makes it just that much more special.

Intrigued? Here’s a snippet:

I love this world, I love this writer. It is dark, it is brutal … I found it all too easy to be whisked away by the sands of this world. Martuk is a must-read.

You can read the rest right over here.

And the book? Why, here you go! 

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killing the stories

Hard to believe everything I have now started with this mad dash of a book I decided to write on a whim five or six years ago. Imperfect? Yep. Great story with great characters? Yep. Am I proud of it? Yep! Who wouldn’t be? It’s a damn good read! 😊

That being said, here’s an excerpt from Martuk…the Holy:

 

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“literary alchemy”

From yet another five star review for The Tall Priest

“Flowing and visceral…A rare find of finely detailed beauty and heartbreaking tragedy…Literary alchemy.”

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because Easter

So, yeah, my own version of the Resurrection of Christ from Martuk…the Holy: Proseuche.

You’re welcome 😉

***

From death, I woke. My eyes opened to the dark of the tomb, the smell of myrrh and aloe and sweet perfume in my nose, the linen wrapped around my arms, my legs, my body.

They stood before me, my angels, their faces pressed close to mine.

Were it not for the great wings that stretched from their backs, wings I could see even in the dark, I would think they were human. They looked like you and me. They weren’t kind or angry. They were still and silent. And they stood there, waiting.

They just were.

But they were not.

These winged ones were angels. They rose and turned their heads, looking to the door. And with that look, and that look alone, they moved the stone and let in the light.

There Mary of Magdala stood in the bright sun of morning.

Through their unfurled wings, I could see her. I watched her fall to her knees. Watched her face grow pale and the basket held in her arm fall to the ground. I saw the spices and oils spill into the dust.

Spices and oils that were for me for she was there to anoint me for I was dead.

I was dead. And yet I walked.

This could not be.

The pain was there, still. Holes in my wrists where hammer had met nail and nail had torn flesh and cracked bone. Holes in my feet. Wounds that still stung and bled where thorns had pierced and stabbed and ripped. And my back and my shoulders still wept, the skin peeled from the muscle, and the muscle no longer clinging to the bone.

It all still bled.

It all still hurt.

I felt such pain. There was such confusion.

I was dead.

I wanted to weep. Life was agony. Every step was agony. Every breath was agony. I remembered you and your Darkness. How you sliced your arm that night, my friend with the everlasting life, and you bled and then the blood wouldn’t run. How I took the knife to your throat and sawed deep. And how, in time, in not very much time, the blood stopped and the wound healed and it was no more.

I remembered how you seemed to feel no pain.

Yet now, as the shock of this new life grew, pain was all I felt.

If this was life, a new life, I wanted death.

“My lord,” Mary said as I drew near. She was still on her knees, shocked, afraid, disbelieving.

No, this wasn’t right.

“I was dead,” was all I could say. I wanted to fall into her arms and weep. I was dead, I wanted to say again. I was dead and now I walk and there is pain, so much pain, too much pain. Do you not see the flesh hanging from my back? And the jagged wound, here, where the spear cut my side? Do you not see the flesh cut and peeled back and bleeding again?

All this hurts, I wanted to say. There is pain, I wanted to say.

This life is too much pain.

“I was dead,” is all that would come out.

And then I saw her again. Saw the fear in her eyes, the terror growing as she watched me stumble closer, my wounds running red.

“Do not be afraid,” I heard myself say.

Somewhere deep in my mind, a demon laughed.

I blinked back tears.

Her eyes looked at the holes in my hands and how they bled. And then at where the nails pierced my feet and how they, too, bled, the blood dripping to stain the ground where I stood.

“Have you returned, my Lord?” Tears stained her cheeks.

There was a scream in my throat. A howl of such rage that, were I to open my throat and give it a voice, it would tear Jerusalem in two and pierce Heaven itself.

Instead, I said nothing. I gritted my teeth and swallowed hard and stifled the rage.

But I had thoughts. Dark thoughts.

I wanted to quiet her tongue. Grab her face in my bleeding hands and squeeze. Watch her skin blush and the panic grow in her eyes and feel her hands grip mine as she fought for release. Hear the bone crunch and feel it splinter and see the eyes pop from her skull and feel her perfect white teeth snap in her mouth as I squeezed and squeezed and squeezed.

She didn’t know the pain I felt. No one knew the pain I felt. If she knew the pain, she would understand my rage. And she would forgive. But she didn’t even know of my rage.

I stood silent instead, tears on my cheeks, my body weeping, the wounded flesh stinging with each breath as I stood in the bright sun.

They waited behind me, my angels. They did nothing.

Did they know of the pain?

“I must tell the others,” Mary was saying. “I will go now and tell the others that you have Risen and walk among us.”

I nodded. Could she not see the angels? Did not these silent ones with their wings unfurled shock her or surprise her or cause her distress or fear or terror?

No, she could not, I then decided. They were my burden alone.

She rose, her body still bowed, and then turned to start down the road, the linen flapping between her legs as the walk turned to a small run, her head looking back again and again as she grew smaller and smaller in the distance.

Yes, go, Mary, I wanted to shout. Go before the pain becomes too much and my soul breaks and I tear you limb from limb and rip your body in two.

Go, Mary,

Run.

***

from Martuk…the Holy: Proseuche

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