‘Cause why not, right? 😉
Next up – Martuk…the Holy: Shayateen
I’m a relentless optimist. I’m also a no-bones-about-it realist. It’s a nice blend. Keeps me relatively stable and sane in what can be a career of dizzying highs (or so I’ve heard) and abysmal lows (first name basis frequent flier here).
And one of the things I’ve come to understand is you need both to effectively move through what can sometimes be the mystifying, frustrating process of being adapted from fiction to film (or TV).
And, believe me, I’m not slamming the process.
What most don’t realize is that moving a project forward in Hollywood, getting from A to B, is often dependent on a haphazard puzzle of myriad pieces somehow finding a way to snap together. It could take weeks. It could take months. It could take years. It could never happen. Some projects click quickly. Others less so. But the pieces need to come together, they need to fit and, as much as possible, they need to be perfect. And the one constant truth linking those two together, and everything in-between, is that you, as the writer, have zero say in how things inch forward. You just don’t.
Nor should you.
But this is the beauty of being a writer and one of the reasons I love what I do: when the no-bones-about-it realist starts to nag the relentless optimist, chipping away at his sunny disposition with perfectly reasonable doubts, the Writer gets to work.
Because not only am I a relentless optimist, a no-bones-about-it realist and a Writer (with that capital W), I’m also blessed with a creative mind that just…doesn’t…stop. The list of projects I have on my calendar currently stretch into 2020. And that’s not taking into account whatever projects land on my plate driven by other people, production companies, my publisher, anthologies, etc.
The Martuk Series. Eidolon Two. Eidolon Three. Eidolon Four. Eidolon Five. The third Martuk novel. A new project about magic and secret realms and dangerous monsters that lurk in plain sight, spanning different timeframes all at the same time. A potential three-book series centered around Mot from the Martuk books. Continued script adaptations for film, for TV.
So when I start to feel a bit grrrrrrrrrrrrr…I just flip it into work. And as I write, as words land on the page, hopefully stretching into paragraphs and then pages, chapter after chapter finally becoming a book or a short story or a screenplay or whatever, all those haphazard puzzles with their myriad pieces, something I can do nothing about, are putting themselves together. Bit by bit. Piece by piece. Phone call by phone call. Rescheduled meeting by rescheduled meeting. Email by email.
But, and this is important, when I get that email or that text or that phone call or whatever by whoever saying “Hey, let’s talk” it makes all the waiting – and furious writing – worth it. It really does.
Because another constant thread with this business is the courage to take a chance. Yes, get those pieces together and make ’em fit. Do what you can to guarantee as much as possible the largest audience possible. (Talk with me ’cause Lord knows I got ideas) But at the end of the day, you’re still rolling the dice and taking a risk.
It’s just what we do.
What’s my point with this? Maybe nothing. I’m not sure.
All I know is, as a writer, I’m lucky I drive the bus and can turn whatever impatience, curiosity or whatever I feel into work. Work that might, at some point, end up being part of yet another puzzle with pieces needing to be put together.
Which will lead me into writing more.
It really is a gloriously vicious cycle, ain’t it? 😊
I don’t know about other writers, but when I find I’ve written something a bit rough or cruel or viciously brutal— this doesn’t happen often, but it does happen — I feel more than a smidgen of guilt.
Not necessarily because of the experience the Reader will go through — they did sign up for it, though, so… — but more because of what I put the characters through.
Interesting, isn’t it?
For better or worse, I feel deeply for people who exist solely on the page. But that’s what I suspect gives my work emotional resonance: these people are real to me. Very real.
They are telling their stories. And, for better or worse, those stories follow me. Poke into my thoughts months, years, after being told. The consequences of what I create keep me awake at night.
No, seriously. That happens. A lot.
Almost a year after its initial release, Click, the third story in Eidolon Avenue: The First Feast, is one of those stories I can’t get away from. And it’s not just because of how brutal it was, but because of the innocence of the victims and the dangerous psychosis of the killer.
I’ve said this before, but I simply could not get my head around the absence of empathy and the glee he took in the act of hurting another.
You see, with my immortal Martuk, he does bad things, but there’s always a reason. So, at the end of the day, readers may disagree with what Martuk does, but they understand on a visceral, very basic level why he did it.
With Martuk, you hate him, you love him, you fear him and, most importantly, you understand the Why of his What.
But with Colton in Click?
He was pure evil. Evil and insanity. And, yes, there were reasons. A litany of Whys to his What. Wounds that drove him. Ancient scars that still bled.
But none of that excused what he, the Character, insisted I, the Writer, create for him.
I remember writing the story while sobbing — like, really SOBBING — because I HATED what was happening. Hated it. Made me sick to my stomach. Forced me up and out to take long walks just to escape it for a much needed breath of fresh air.
But it was the story that needed to be told.
You know, I still get emails and private messages via social media raking me over the coals for Click. Questioning my sanity, my kindness, my heart. Questioning what kind of monster I am to put on the page someone as horrible as Colton.
And I get it. I do.
Which is probably why I’m feeling the need to write what’s turned into an open letter.
But, listen, those of us who invest ourselves totally in our work sometimes don’t have the control over the final product people think we might. Sometimes our characters want to tell stories that we vehemently disagree with. Sometimes they grab us by the arm and drag us, kicking and screaming and, yes, crying, much deeper into the dark than we ever wanted to go. And when we stumble free, back into the light, after the story’s told, we find ourselves changed, wounded, even scarred.
But that’s the deal we made to do what we do. Life isn’t always pretty and perfect. Sometimes vicious people do atrocious things with no rhyme or reason. As someone who writes horror, it’s my job to capture the barest hints of that so that my readers can exorcise, vicariously, their own demons. I guess. I don’t know.
All I know is that I relish returning to the relative normalcy and sanity of my dearest immortal Martuk as I dive into Shayateen, his third and perhaps final book.
Still, though, I do wonder if there should be apologies…perhaps.
Looks like I still have some psychological knots to untangle.
(blogger note: this Post is being driven by three espressos gulped down in five minutes flat. Yee-haw!!!!!)
Truth be told, I kinda suck at pitching my work. Great with ideas, very strong on character, fantastic at writing it all down. But pitching? Meh.
I mean, let’s face it, brevity has never been my strong suit. But it’s a must and I’d feel better kinda sorta maybe figuring out how to do it now instead of waiting until the storm hits.
So, for those wondering “what’s this book about?”, I’ve gone ahead and boiled it down to a single, simple sentence.
Tormented by demons, an immortal man confronts his violent past.
And The Martuk Series, the ongoing collection of Short Fiction (currently being adapted into graphic novels) inspired by Martuk … the Holy:
Surrounded by a dying King, power-hungry Priests, and a Queen sliding into madness, an Almost King battles an ancient Darkness.
Driven to rule and afraid to die, a powerful Priest sacrifices all in pursuit of “an end that never ends” from a Darkness older than Time.
Martuk … the Holy: Proseuche , the sequel to Martuk …, is scheduled for a late-2013/early-2014 release with the third in the series Martuk … the Holy: Shayateen due in early 2016. And I’m working my butt off to get Red and Gold, the third installment in The Martuk Series, ready for a September 2013 release.
After that, I’m strongly considering perhaps as many as three full-length spin-off series based on a few of the ancillary characters which have captured my imagination.
What can I say? I’m a glutton for punishment and, evidently, love being chained to my keyboard. Feeling the need for a fourth espresso in five, four, three, two … (^~^)
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