Tag Archives: interview

fearless and noisy, quiet and desperate

A quick excerpt from an interview I recently gave to Joe over at Crystal Lake Publishing. One of those times when I surprise myself by sounding smart, accomplished, wise…sane. 😱

Enjoy! 😃

Joe: Instead of just focusing on your most successful work, which story are you the proudest of, a story that managed to capture a piece of who you are?

JW: Although Eidolon Avenue stands head and shoulders above anything I’ve ever done, without doubt or hesitation Martuk… the Holy, my first book, is what I’m proud of and captures perfectly the surprising journey I found myself on at that time: someone discovering, page by page, that he could really write!

For someone who’d never written a short story or an article or any piece of prose fiction to sit down (without an editor or even an experienced beta reader—I was new, remember, and knew no one in the writing community) and slam out an 80,000 word novel is beyond audacious.

Is Martuk perfect? No. But it’s ambitious. A sprawling epic covering two thousand years. It’s fearless and noisy, quiet and desperate. It’s wounded and yearning, violent and hungry. Martuk may lack the polish of its sequel Proseuche or Eidolon Avenue, which is on a different level entirely when it comes to the writing and storytelling, but what Martuk has in spades is the passionate, carefree excitement of a writer finding his voice.

And that, right there, is worthy of applause. In fact, sometimes I find myself wondering ‘Where the heck did that guy go?’

You can read more over at Crystal Lake Publishing.

Who am I without my ghosts?

Blog tours can be tough.

On the one hand, you’re incredibly grateful for the opportunity to introduce your work to (hopefully) thousands of new eyes. On the other hand, you find yourself navigating the same questions in the same interviews time and time again. Or struggling to convince your tired brain — which is probably still in shock from writing eighty thousand words and then turning right around to edit and rewrite those same eighty thousand words — to come up with an awesome, amazing, incredible Guest Blog Post.

Well, I don’t always hit a homer, but this is one of the few times I swung for the bleachers and won. Here’s an excerpt:

For a moment, I’d forgotten who he was, this Martuk. Had forgotten about his birth in the sun-blasted Zagros mountains one thousand years before Christ. Had forgotten the centuries he’d seen. The bloody chaos he’d caused and the agony he’d endured. Reminded myself that this was a man who’d had a long life, a long immortality, even before something as unremarkable as a cup of coffee even existed.

I gave him a moment. “If I may, why the second book?” I said. “Why Proseuche? Was it something as simple as the story continuing?”

“Nothing’s that simple.” He finished his espresso in one final swallow, his finger raised to order a second. A small nod from me, and a second finger lifted to indicate two. “Writing doesn’t excorcise the ghosts. It emboldens them.”

“So why write?”

A moment of silence followed by a brief shrug. “Who am I without my ghosts? In this world that changes yet remains the same, they are one of my few constants. Their anger, their rage. Their fear and regret and sorrow. These things, I know them. They are familiar. Even here, even now, they walk with me.

“They are amaranthine. A word I now love, by the way,” he said with a grin. “Endless and forever and constant.”

Lesson? When in doubt, take Martuk out for coffee where he’ll most surely talk about Proseuche.

Dumb it down?

A friend of mine, someone with the best of intentions, said something the other day that nearly stopped me in my tracks.

“Maybe you’d sell a lot more books if you dumbed your writing down.”

Now, I had to think about that for a second because he wasn’t referring to my subject matter — the immortal Martuk slaying his way through a lifetime of endless centuries — but more to the way it’s written. It’s intelligent. It has a unique voice that still follows the basic rules of sentence structure and grammar. It’s ambitious but still accessible. The sentences are more lyrical than not. There’s character development and several story lines all spinning around a central narrative held together in a clever framing device. And this narrative is designed to not only stand alone, but stretch over a three-book series as well as an ongoing collection of short fiction.

Ah, you see? There’s the problem.

Publishing these days — and I’m talking about indie, single author, and the Big Five — isn’t as focused on quality as it could be. The mediocre is applauded. The abysmal is celebrated. Anyone writing anything that would be considered “normal” ten years ago — story, appropriate dialogue tags, realistic conversations from people who could actually exist — is thought of as an anomaly. Something new. Different.

And that worries me.

That the bar would be so low that the telling of a story would be thought of as something newsworthy is not a good thing. In fact, as I said in a recent interview, we, as Writers, should be expected to tell a story. Telling one should not be seen as something cool. It’s our feckin’ job, for Christ’s sake!

But so many have found success doing so little. Or doing so little so poorly that their attitude is, Well, people seem to like it, so why change?

Why change?

Because you can do better. Because your readers, whether they know it or not, want you to do better.

Because if you keep half-assing it, that will become the New Normal, you won’t grow as a writer, and there will be generations of readers who won’t know Good Writing from a hole in the ground. Though you know damn well at least the hole will have a backstory as to how it got there whereas your book will be a long series of events that end up leading to a big fat Nothing.

So, here’s the deal:

I’ll continue writing the way I write. That’s the little I can do to change the tide. And when readers tire of piss-poor writing revolving around non-existent stories peopled by cardboard cutouts murmuring, sighing, giggling, growling, breathing, whispering, moaning, laughing inane ridiculous dialogue no one would actually say, my work — and the work of hundreds if not thousands like me — will be there waiting for them.

‘Cause I’ll be damned if I’m going to dumb it down.

 

 

Surviving the War of the Page

An excerpt from an interview over on Horror Novel Reviews where I talk about staggering creativity, an enviable imagination, and Venti Caramel Half-Caf N0-Whip Mocha Frappucinos.

Oh, and Proseuche. Of course.

So, really, that’s why I’m here. Because you do what I do and you know how difficult and frustrating it can be. Especially if you’re that falling tree in the forest that no one hears. So I’m standing before you for a nod, a small smile. Maybe even a handshake. One survivor of the War of the Page welcoming another comrade to its ranks, if you will.

 

 

All Eyes on Martuk

So, with Martuk … the Holy: Proseuche, the sequel to Martuk … the Holy, almost finished, I’m doing a bit of marketing via a great, big two week Blog Tour.

Try not to get too excited, guys.

Baltimore concert

If you haven’t had enough of me by now, no doubt you’ll most certainly have your fill by the 15th of October.  😉

That being said, check out the tour dates:

 

October 1
Interview with Fang-tastic Books
http://www.fang-tasticbooks.blogspot.com

October 2
Interview with BookwormBridgette’s World
http://bookwormbridgette.blogspot.com/

October 2
A Guest Blog for Rose & Beps Blog –
http://rosebeps.blogspot.it/

October 3
A Spotlight over at Eclipse Reviews
http://totaleclipsereviews.blogspot.com

October 4
Interview with Dalene’s Book Reviews
http://dalenesbookreviews.blogspot.com/

October 7
Interview with Pembroke Sinclair
http://www.pembrokesinclair.blogspot.com

October 7
A Spotlight and a review from Deb Sanders
http://debsanders.com

October 8
Interview with Author Karen Swart
http://authorkarenswart.blogspot.com

October 9
A Guest Blog for So Much TO Write So Little Time
http://somuchtowritesolittletime.com

October 9
A Spotlight on Mommasez…blog
http://ccclubbs.com/

October 10
A Guest Blog and a review from Roxanne’s REalm
http://www.roxannesrealm.blogspot.com

October 11
A Spotlight over at Fae Books
http://www.FaeBooks.co.uk

October 14
A Guest Blog for Simply Infatuated
http://www.simplyinfatuated.com/

October 15
A Guest Blog for Cloey’s Book Reviews and Other Stuff
http://cloeyk.blogspot.com

October 15
A review from Bookworm Babblings –
http://inspirationsbysimone.blogspot.com

Sexy beast (deux) … toujours en français

A Conversation with Syndra K Shaw (part two)

Feb 2013

We continue to chat, Syndra and I. We’ve both popped open a yogurt — she in Paris, me in the States — and, at one point, I could clearly hear the telltale glug glug glug of her beloved wine being poured followed by her ubiquitous small sigh after her first sip.

But make no mistake: Miss Shaw is anything but a lush. Like most of the French, that one glass of wine will be coddled and cradled and sniffed and sipped over the course of an hour or more.

I also notice she’s loosened up. Has apparently forgotten she’s being taped and this will be transcribed. I’m getting more of her and less of her natural reticence and shyness.

Welcome to Part Two —

Jonathan: So, without giving too much away (for those who’ve yet to read it), tell me about writing the final chapters of Mikalo’s Flame.

Syndra: Oh my goodness, I was a mess. Seriously, I had to stop several times and take really big deep breaths to calm myself down. And I was crying so hard I just gave up wiping the tears away, you know?

I know. You called me and sounded like you were really losing it.

I was! I’ve never had a reaction like that.

Why is that? I mean, why now? With those chapters?

I think it’s because I so totally identify with Mikalo and Ronan and what was happening was so immense that I felt everything they were feeling.

But that’s a good thing, isn’t it?

I guess so. I’m just happy the house cleaner had left for the day or she would’ve thought I was nuts.

She already thinks your nuts, what with you asking her to pick up “penis” for you at the grocery store.

(laughs) She knows I meant peanuts! She still teases me about that, asking if I want the jumbos.

Well, do you?

No comment.

Hey, you’re out of those!

(Syndra laughs)

What I loved about the ending of Mikalo’s Flame was how you took something so simple, in this case, making an omelette, and completely turned it into something so unforgettable. Almost magical.

Thank you. What’s funny about that is that I’m not quite sure I intended for the ending to play out the way it did. Or for that to necessarily happen. In fact, I know I didn’t.

Which is where having a map is good —

Yes.

But it’s even better when you let it guide you instead of letting it tell you what to write.

Exactly. I knew what the ending was. What I didn’t know was, just by listening to those two and trusting them when they took me off into something different, something I didn’t plan, what I didn’t know was how we’d get to that ending.

And Ronan’s inability to speak?

I didn’t plan that either. But she just couldn’t say it!

Why?

(Syndra sighs dramatically)

I’m writing that you sighed dramatically.

Oh you —

Well, you did!

A couple of reasons. First, she’s really uncomfortable with change. She’s grown so used to things being just so, you know? And the introduction of Mikalo and her love for him has really been enough. But now this? It’s a lot to take on all at once. Secondly, if she had opened her mouth, the floodgates would have opened. She’d have been a crying, hysterical, ridiculous mess. And she just wanted to keep it together. She just wanted to savor the moment and not get too lost in the emotion.

But would have Mikalo minded her crying?

Of course not. But she, I don’t know, she just didn’t want to ruin, if that’s the word, she just didn’t want to ruin the moment by going on some huge ugly cry fit.

Ugly cry.

Yeah, ugly cry. It isn’t pretty.

And that’s where we are at the end of Mikalo’s Flame.

A crying mess.

(Syndra laughs)

Can you talk about Mikalo’s Fate?

Should I?

Um, yes. Give me an exclusive, here.

As if you’re Barbra Walters or something.

We’ve established I’m not. So … ?

As it stands now, Mikalo and Ronan are off to Greece to meet his family. So we’ll get our first look at Mikalo’s brother Silvestro and Silvestro’s wife Caugina. We’ll met Mikalo’s lifelong friend Damen and his beloved Nonna, his elderly grandmother. The Byzans will be there as well.

So far, so good.

I do think Ronan will end up in Paris at one point.

Nice.

Maybe not. But her experience there leads to what I hope will be a beautiful moment later with Mikalo in Greece. And Radek Byzan, Mara’s father, reappears in a very important way as well.

I do like how you bring back characters from earlier books.

I just fall in love with them and want to spend more time with them. And he is someone I really adore.

And Mara?

She’s there, but I’m not sure she’s as obnoxious as she had been. She’s starting to crack a little bit and her life is becoming a bit, I don’t know, out of control, I guess.

So no bitch in Mikalo’s Fate?

Um, there is Caugina. And she could give seminars on how to be a nasty piece of work.

Gotcha.

No, there’ll definitely be a bitch in this book. They’re too much fun to write! And Abbie and Marcus aren’t done yet.

You’re kidding.

No, I’m not. I mean, it might change. But so far they have a place in the next book.

Well, except for Caugina and Abbie and Marcus, so far it sounds like a very “up” book.

But you’re assuming they actually walk down the aisle.

Who? Mikalo and Ronan?

Yes.

Of course they walk down the aisle.

I don’t know —

What? Oh, that’s just mean.

I’m not saying they don’t — and I’m pretty sure they do –, but life has a habit of throwing curve balls and sometimes things change.

And the curve ball here would be?

That’s something I’m not saying yet. But it’s a huge one and completely derails everything, everything, they’ve planned. But I promise, I PROMISE, that Mikalo’s Fate will have a wonderful ending. I can’t write a book that doesn’t.

Okay, I can’t say I’m a huge fan of your genre —

I know —

But having read the first two books, if Mikalo and Ronan don’t get married I will personally come to Paris to bitch slap you.

Come to Paris anyway. She misses you.

I’m not joking here.

Neither am I.

What’s the one thing that you don’t like about writing?

Seriously?

Yeah, why not? It’s not all perfect, is it?

No, it’s not. I really find it rude when people return books. Unless it’s horrible formatting —

Which yours aren’t —

Right. I’m too obsessed to have them go out with mistakes. Or if they don’t like the writing —

But there’s a sample to read beforehand —

Exactly. If it isn’t one of those two things, I just find it rude to buy a book, read it quickly, and then return it quickly just to save a small amount of money. I could never do that.

And you spoke with Amazon about this.

Yes, but she didn’t care.

Did you make her cry?

I wish. (laughs)

Has this interview made any sense?

I hope so. It’s been a lot of fun.

I’m curious about something.

Uh oh.

What?

Whenever you say that, either you’re going to ask a tough question or you’re going to say something horribly inappropriate.

Really?

Really.

I was just wondering if you ever dream of being a bestselling author.

No.

No? Really?

Really. I have absolutely no control over something like that. My goal is to write a good book. Something people look forward to and get excited about reading and race through in one day and then want to read again. That is what I can control. Whether or not people buy it or, in that case, a lot of people buy it and I end up with a high ranking on Amazon or something, well, that’s just something I have nothing to do with. It’s a waste of energy. I focus on what I can: writing as good a book as I can. Sometimes I succeed, sometimes I don’t. And if ONE person buys it, I get excited.

That’s true! When you sold your first copy of Mikalo’s Grace you called me in tears.

I know. Silly of me, but it was so touching to think someone actually spent their money on a book I wrote. I still celebrate each sale. I think I always will. And when people on Facebook write to tell me how much they like what I write, I just love that. I don’t think they realize how hard this is and how much work goes into it and how greatly we appreciate knowing that, at least with someone, our words are making some kind of mark. Are being enjoyed and savored and read again and again. There aren’t enough words to thank these people, those who read my books. There really aren’t.

Have I told you I adore you, my friend?

And I you.

We have to do this again.

Yes. I love these private chats.

Is that another dig at the lack of visitors to my blog.

Bises. (Kisses)

Bitch.

(Syndra laughs)

Mais je t’aime toujours et pour toujours (But I love you always and forever)

Moi aussi, mon cour. (Me too, my dear)

So, there you have it. A funny, sometimes confusing, utterly enchanting conversation with a woman I am completely in love with.

If you haven’t already, go NOW and get her new book, Mikalo’s Flame.

Sexy beast … Ă  la française

A Conversation with Syndra K Shaw
(note: due to the fact that we talked a long time, I’m breaking our chat into two parts. This is Part One with Part Two following tomorrow)

February 2013.

Phone in hand, I press 2, listening to the brief sing-song of beeps as the number in Paris is dialed. Three small rings later — it’s always three rings –, Syndra answers with a very polite “oui?”. The accent is pleasingly French, the voice both warm and inviting, a slight sense of flirtation teasing the ends of her sentences as if she’s going to burst into a fit of giggles at any moment.

Sitting here much too far away in the States, I can easily imagine this chic writer of e-roms (erotic romances) in her new apartment near La Parc Monceau at her very clean, very shiny desk, leaning back in her red leather swivel chair, a scarf wrapped around her shoulders, her eyes out the window to the park across the street, phone in one hand, orphaned earring in the other, a slight smile on her lips as she patiently listens to me blather on in what is surely an awkward combination of French and English.

I’ve known Syndra for years — we’ve agreed that it’s ten years though I insist it’s closer to twelve — and consider her one of my dearest friends. Family, even, although her French sensibility would scoff at such an overt display of American affection. Still, I’m sticking by my guns. I consider her family. I cannot imagine life without Syndra.

When I published my first book, Martuk … the Holy, in 2012, she was the first to call and congratulate me, the first to send flowers and chocolate, and the first to read it, sending me a lovely, very detailed private review that was both immensely supportive and brutally honest. “I would not be your love,” she explained, “if I just told you how wonderful it was. And it was. But there must be something, even if it is a small thing, to criticize and make better.”

And she was right. As always.

So I was understandably overjoyed when she turned to me several months later and asked my opinion. She had an idea for a story. Perhaps even a book. Maybe a few. A New York lawyer named Ronan Grace (love it!) falling in love with a Greek billionaire named Mikalo Delis (love it even more!). She shared with me the vision she had, one she thought could span several books and a whole group of secondary characters.

As she talked, I heard something I’d never heard before. Her voice quavered, she spoke quickly, she’d run out of breath as she talked about her Ronan and her Mikalo and the two of them together and the struggles they faced and the love they felt and the journey they’d take. I could feel this story, these characters, in her voice, living in her, and I knew without a doubt this was something she had to write.

And I said so.

She worried it’d be horrible. Then let it be, I said. But at least write it, let it live, let it breathe, let it have a life of its own.

She was afraid no one would care or would read it or would make fun of it. Then fuck ’em, I shot back. Write it for you. Let that be enough.

And, after a few more weeks of needling her, she finally sat down and said “Okay, today is the day. I’m letting Mikalo live”.

With that, came her first book, Mikalo’s Grace.

Now, several months later with the release of the sequel, Mikalo’s Flame, she’s finally relented to my pestering and agreed to a phone interview I’d record and then transcribe. She’d take a quick look and approve, and I’d then put it up on my blog that very few people see anyway.

The consistent, persistent lack of eyes was what finally got her to agree, I think.

That said, here’s what we ended up with (minus the chit chat at the beginning) …

Jonathan: Tell me about Mikalo’s Flame.

Syndra: I think it’s a stronger book than the first —

Mikalo’s Grace —

Yes. I think I found my rhythm a little more and integrated a bit more of a drama-driven narrative this time. I was also a bit more confident and a little less scared.

You know, I liked Mikalo’s Grace —

You did?

Of course I did. I told you that, like, seven billion times —

Right —

But I also thought it needed more, I don’t know, drama or something.

Oh, yes. You did say that.

Yep. And I think you really got it with Mikalo’s Flame.

Thank you. Maybe you’re right. I think you are.

Let’s just say I’m right, okay? Was that a goal of yours? To add more drama or something to the second book?

No, not necessarily. I want each book to be better than the last — the thought of my writing staying the same book after book frightens me —

It should. Nothing worse than writers who write the same way all the time.

Yes, it makes sense to force yourself to grow. Even if you stumble, at least you’re trying to be better, you know? But with Mikalo’s Flame I really was just following the map I have laid out and what happens in the first book was what I had planned to happen in the first book and what happens in the second book was what my map says was going to happen in the second book. Does that make sense?

Barely.

Oh you —

No, no, I get what you’re saying.

Well, you should because you’re the one who taught me how to chapter map, or whatever you call it.

That’s just because I’m always forgetting my good ideas and need a reminder.

This is because you’re old.

Shut up. I am not. You’re older.

Hush.

Back to Mikalo’s Flame, we have to talk about Mara Byzan.

Oh, The Byzan. I actually love her.

You actually know her.

(laughs) No comment.

But she is based on someone you know and see, like, all the time, right?

No comment!

It’s not like anyone’s going to see this blog.

You have a point. Okay, Mara is inspired by someone I know, but the character in the book is a bit more over-the-top than —

Than the real person.

Who you know too, by the way. And you know what she’s like and you know how loud she is and you know how long her fingernails are.

Yeah, she’s a scratcher. Okay, no comment. Moving on, how do you write? Tell me about your process.

Okay, I listen to music like you taught me and I sit either on the couch with my computer on my lap or at my desk. And there is always a glass of wine and a glass of water.

What kind of wine.

White in the afternoon, red in the evening. Of course.

And you just sit and type and write your book?

No, I sit and look at the keys and the book magically writes itself.

Is that your way of telling me I just asked a stupid question.

How many No Comments do I have left?

Two. You have two No Comments left.

Then No comment.

I’ve lost control of this interview.

Well, you’re no Barbra Walters, that’s for sure.

Damn! Kitty’s got claws.

(Syndra snorts with laughter)

I’m writing that you snorted, just so you know.

You’re mean.

Now, French is your langue de naissance — (tr: birth language)

Oh, very nicely said.

Merci. Do you write in French and then translate into English?

Oh my goodness no. I write in English because that is where the market is. And in France, self-publishing a book is looked down on. So I won’t even bother going that route. I’m quite happy writing, as best I can, in English and puis parler de français dans ma vie tous les jours. (tr: … then speak French in my life every day)

Do you find a difference between your French sensibilities and your American friends?

Absolutely! Americans are talkers. They share their lives, their love, their feelings. They embrace you immediately with open arms and, like that, you are their friend. We are much more reserved in France.

That’s true. It was a huge deal when you first invited me to your apartment.

I know. One’s home is for one’s family. And in the States, one’s home is for one’s family and friends and co-workers! I just can’t imagine having my husband’s co-workers over here.

You were the first person I’ve visited who had guards stationed at the entrance.

(laughs) That was because of what my father does. It was nothing.

Not that I was complaining —

Oh yes, that one guard was very handsome —

In a Mikalo-sort of way —

Yes, I think so. But I am no longer there, so …

You mentioned your husband. So, your American readers know you’re married.

Yes, but my family is very private —

I know, I know. But you do have a fascinating heritage and a fantastic family. It’s all very interesting. Your father’s work, your mother —

Yes, yes, yes, I know. But I’m so afraid of accidentally interrupting their privacy with something I say. So it is better to not say anything. You know this.

No problem. Can we talk about your years in boarding school?

That’s like asking an inmate to talk about his years in Sing-Sing, but sure, why not.

You didn’t like it?

No, I hated it. I wanted to be home in Paris with my parents and there I was, cold and alone in England with a bunch of very mean girls who thought they were better than everyone because they had money and really strict teachers who didn’t care if you were homesick. And it was so regimented. Your shoes had to be shined and your socks had to hit just under your knees and your skirts had to be a certain length, your hair neat and, preferably, tied back with a bow and, oh my god, I just hated it.

And you escaped.

No, I was politely asked to leave —

So you were kicked out.

Yes. But it backfired because I then spent my last years of school in Switzerland which was even worse. I swear I could hear dogs on heavy chains growling from beyond the hedges.

Then you came New York.

No, I went to University in England and then came to NYU in New York.

Where we met.

Yes.

Tell me something I don’t know about you.

You know almost everything about me!

Then tell the three people reading this something they don’t know about you.

They have no idea who I even am.

Work with me here —

Okay, okay. I am very polite, but I don’t mind correcting sales girls when they’re rude.

Oh yeah, I’ve seen that. You’re vicious!

No, I’m not. I just very calmly tell them what they did wrong and how to do it better.

You actually brought one girl in Hermès to tears.

No, it wasn’t Hermès —

Pretty sure it was. The one on the Right. On the, what is it, the Rue de faubourg Saint-HonorĂŠ, I think.

Yes that’s right. But no, that wasn’t it. French sales girls are very tough. It takes a lot to make them cry. What you’re thinking of was at Barney’s in Beverly Hills. But if she couldn’t handle a bit of gentle criticism, what was she doing being such a mean little bitch?

Lesson for the day: don’t get on Syndra’s bad side.

(laughs) Now everyone is going to think I’m mean.

No they won’t. They’ll probably applaud your honesty and want to go shopping with you. So, more books?

Oh yes! I love writing —

And you can’t turn your mind off.

So true! My characters are very vocal. There is definitely a third Mikalo book —

Mikalo’s Fate.

Yes. And then I’m considering doing a spin-off Series for Deni, Ronan’s friend.

She’s perfect for that.

I know. I’m obsessed with her these days. I’m also thinking about doing a series or a series of novellas or something on Mara Byzan. Have her hit bottom and pull herself up.

A redemption.

Something like that. I’m not sure yet. We’ll see.

How could you leave Mikalo? The man is perfect. I mean, he’s one sexy beast!

I know!

I know who he’s based on.

No, you THINK you know, but you don’t.

Um, I’m pretty sure I do.

You might be right. But Mikalo is several people all rolled into one.

He’d have to be. The guy is almost too perfect.

Well, until you discover his secrets in the third book.

See, now you’re just being a tease.

Of course. But I love him. He’s just so … (sighs)

We really should talk about your creative process.

Oh no. They’ll think I’m insane.

I don’t think so. They’ll probably think it’s just like how they work.

You think so?

Sure. So …

Okay, my characters live and breathe in me. They have distinct voices, distinct ways of speaking, of acting. I close my eyes and type, basically trying to keep up with what they’re saying, with what I’m hearing, and how they’re saying it.

That sounds fascinating.

Or like I should be medicated.

(Jonathan laughs)

You laugh, but I’m serious. I actually woke up one morning with the names Ronan Grace and Mikalo Delis in my head. Knew their story, the arc of it, the pace of it. Knew their voices and their bodies. Knew all of it.

But that’s a good thing.

It is what it is.

Oh my god, that’s so French of you.

Mais oui. (But yes) Do you think others work like this?

I’m sure of it. You know I do.

But you ARE crazy. You don’t count.

True. I really want to talk about the third book. Is that okay?

But I haven’t written it yet.

I know, I know, but it is in your head. You know their story and you know what’s going to happen. And I think it’d be fun to talk about.

Perhaps.

So, let’s start with Mikalo’s Flame and then talk a bit about the third book —

You mean the one I haven’t written yet —

Right, right. Now tell me a bit about Mikalo’s Fate.

( … to be continued tomorrow)

Before then, if you haven’t already, go and get her new book Mikalo’s Fate now. It’s a great read. 🙂

You really should know …

A.M. Schultz.

Why?

Because the dude rocks big time.

Seriously, he lifts me up when I’m down, makes me laugh when I frown (forgive the rhyme), and is packing some serious talent underneath that “aw-shucks, I’m just doing what I do and hope it turns out good” demeanor.

He doesn’t know it yet, but he is.

Just check out his bio:

A.M. Schultz is a student, pseudo-scholar, writer, closet-nerd, and philosophy junkie. Predicted to become either a college professor, a full-time author, a part-time Buddhist, a selective pescatarian or a total recluse, he enjoys sporadic fits of writing in between meditation sessions, kickboxing workouts, Greek yogurt/sushi indulgences, drooling over the works of Nietzsche and Kierkegaard, scribbling in his Moleskine notebooks, preparing to battle the dreaded GRE, underachieving and spontaneously traveling across the eastern United States in search of high adventure and low-country cuisine.

I’ll say it again, this guy is a talent powerhouse.

Take a look at the cover for his upcoming debut novel RING GIRL:

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I mean, really? OMG! I want that cover. And he has more covers over on his site, including the ones he’s done for me.

But let’s fast forward to the nitty gritty — ’cause I’m a nosey type — and hear what the man behind the myth has to say for himself.

I know you’re still writing your book RING GIRL, but, if you had to, what’s one word you’d use to describe it as it stands right now.

Kinetic. This thing is a ball of energy and it is pressing forward. There is a fire under my ass to get it done, but there is also a fire under the story’s ass. It’s not taking “no” for an answer. I can’t promise that it’s going to be great, or that people will remember this story thirty years from now, but barring some major catastrophe, it’s coming. It will be available for readers around the world in January… so yeah, kinetic.

Your biggest challenge as a writer?

My lifelong habit of being my own worst enemy. Any time I have tried to write, be it fiction or non-fiction, I have succeeded. After a while, the challenge was gone. Now, I hop on the internet and see thousands upon thousands of other writers and wonder how the hell I’m going to line-jump thousands of people who might be just as good or better than me, and it’s horrifying. When I trust myself, though, and stop trying to enslave myself to the trends of the market, I do well. It’s just a matter of making that happen.

Your greatest joy as a writer?

When someone reads my stuff and makes a point of telling me it was good. A lot of my fiction was role-playing on-line with a small community of other writers, and quite frequently, I would hear that “if he’s on, nobody touches that guy.” A writer once called me his “Zen Master.” It’s not the ego stroke, per se, but the fact that people would go out of their way to say something like that in regards to my writing. It’s fueled me to become better, and it’s what has brought me to the table. I want to write things that play to people’s emotions, to their intellects, to their souls. If I make a few bucks, pay a couple bills, buy a new Polo shirt, whatever; if 100 people go out of their way to tell me my writing inspired them or entertained them, it’s all the same.

What’s that ONE thing you need in order to write?

PASSION. Confidence, inspiration, time, all of that are nice, but if you are writing flaccid prose, it’s going to show. If you are pouring passion on the page, people will be able to tell. You don’t even have to be a “great” writer – make people feel what you are feeling, and you’re golden!

You pop open your laptop, bring up the Blank Page, sit back, fingers ready to type … and then what? How does your process begin?

It’s usually not that formulaic. I rarely sit down with the intention to write. I always check my e-mail, my social networks, my Alexa ranking, a few other pages, etc. Then, I’ll do some pre-writing, maybe slam a cool 300-400 words out on something innocuous before I attempt to build upon one of my “serious” works. This has been working well because it gets me in the mood to write. Writing foreplay, I guess…

What’s the most useful piece of advice you’ve ever received? And it doesn’t have to be writing related.

There is a quote attributed to Socrates (the philosopher, not my pug): the unexamined life is not worth living. I’m a hardass towards myself, and throughout my adult life, I have never been comfortable or content if I wasn’t pushing myself. For a few years, this was working a billion hours a week. Then, it was living in the gym, going to shows all across the East Coast every weekend while toggling school and work. Now, it’s writing. Not only am I writing the book, but I am promoting this book, and supporting a network of other authors I want to see succeed. It’s pressure, but as long as I remember to look inside myself and remember why I’m doing all of this, then it’s entirely worth it.

And what’s the best advice you can give someone who’s struggling to put their words on the page?

DON’T THINK. Ray Bradbury posted this above his desk, and it seemed to work for him. For me, “thinking” involves worrying about trends, or trying to make your story fit somewhere it doesn’t; trying to fit elements into your story that don’t belong. Write from the heart, from the soul, but don’t worry about what other people will think while you are writing.

In addition to your talent as a writer, you also design kick ass book covers. What inspired you to throw your hat into that ring?

Honestly? I followed Mr. Jonathan Winn on the Twitter, he RT’d me a couple of times, and I visited his Amazon page. Read the blurb for MARTUK… THE HOLY, thought it sounded awesome, but then thought “wow, that cover is gonna hurt his sales big time.” So, I messaged him, said I was willing to give book cover designs a whirl, and here we are now.

I had messed around with graphic design for about a decade before that and figured I might as well strengthen my presence as much as possible. Now, the hard thing is getting people to hire me for work. 😉

When beginning work on designing a cover, how do you begin? What’s that first step?

I usually have a very rough idea of what I want to do, and the cover never turns out the way I intend. Tons of trial-and-error. “CUSS” actually came to me while I was lying down one day, thought big, blocky letters across a black-and-white background would look cool, and forty-five minutes later, I had perhaps my coolest looking cover thus far. It’s basically improv.

Five years from now, where are you and what are you doing?

Ideally, I’m sitting in my condo in Hilton Head, South Carolina sixteen weeks a year.
Realistically, I’m finished with graduate school, working as a college professor, and selling enough copies of my books/doing enough book covers to handle a few bills per month. I’m curious to see what the landscape of the publishing industry looks like in five years, and I expect that quality self-published authors will continue to see a major spike in sales.

Mark my words, kids. Five years from now, we’ll still be talking about A.M. Schultz. This guy rocks seven ways to Sunday and back again.

And his pug Socrates ain’t too bad either. :^)

I’m a wannabe who doesn’t work hard

… or so says Author (notice the capital A?) Sue Grafton.

In a recent interview this is what Miss Grafton had to say about those who decide to self-publish:

Don’t self-publish. That’s as good as admitting you’re too lazy to do the hard work.

When just barely pressed, Miss Grafton continued her thoughts on the efforts of these unwashed masses not good enough for Big, Fat Publishing Contracts (or, as she calls them, “wannabe”s):

Obviously, I’m not talking about the rare few writers who manage to break out. The indie success stories aren’t the rule. They’re the exception. The self-published books I’ve read are often amateurish. I’ve got one sitting on my desk right now and I’ve received hundreds of them over the years. Sorry about that, but it’s the truth. The hard work is taking the rejection, learning the lessons, and mastering the craft over a period of time. I see way too many writers who complete one novel and start looking for the fame and fortune they’re sure they’re entitled to. To me, it seems disrespectful…that a ‘wannabe’ assumes it’s all so easy s/he can put out a ‘published novel’ without bothering to read, study, or do the research. Learning to construct a narrative and create character, learning to balance pace, description, exposition, and dialogue takes a long time. This is not an quick do-it-yourself home project. Self-publishing is a short cut and I don’t believe in short cuts when it comes to the arts. I compare self-publishing to a student managing to conquer Five Easy Pieces on the piano and then wondering if s/he’s ready to be booked into Carnegie Hall.

In some ways she has a point. Not all self-pubbed work is good. But not all traditionally published work is good either. Apples and oranges, you know.

Her comments still hock me off.

Now, if you’re already aware of the firestorm of indignation rolling through the indie and self-pubbing world regarding Traditional Publishing’s latest Foot in Mouth when it comes to us self-pubbers, what I’m about to say will seem familiar at best and redundant at worst.

Regardless, I’m saying it anyway.

How dare she. Seriously. How. Dare. She.

You know, I just published my third book today. Yeah, BFD, right? Well, to me it is. Maybe not to Queen Sue, but to me it is. And it should be.

I worked my ass off. I wrote all day and then late into the night. I even wrote as the sun came up knowing full well that another full day of writing lay ahead. I edited, I shaped, I cut and rewrote. I trimmed and hemmed and polished that baby ’till she f’ing shined. And I did this knowing that not one single person would probably buy this book the first week. Or the second week. Or ever.

But I did it anyway because I love it and I had a great story to tell.

And listen, Sue, I’ve done the research on ancient Uruk. I can tell you — as best one can based on what little has been discovered of their civilization — what money they used, what writing they had, how their houses were constructed, how twisted their religious beliefs were, and how their days were structured. I could even draw you a fucking map of the city, so don’t you dare tell me I don’t do my research. Is any of this info in my books? No, not really. Is it important I know it?

Hell. Yes.

But you know what, Miss Grafton? I do all of this without complaint and without prompting. Without an Editor looking over my shoulder or a Publishing House guiding me with a schedule. I do all of this — and still plan to, by the way — without a big advance propping up my bank account and a legion of fans ready to snap up whatever drivel and tripe I sling on the shelf.

And you can’t say that, now, can you, Sue.

At the end of the day, though, I, a simple wannabe who doesn’t work hard and can’t take rejection, have something you’ll never have:

I can publish any fucking thing I want.

I can be brave and creative, ballsy and controversial, amazing and incredible and unforgettable and breathtaking in ways your Publisher will never allow you to be. I can kill Judas with a kiss and walk with a Jesus modern-day Christians wouldn’t recognize. I can drive my narrative forward with a gruesome sacrifice of a child or an anonymous soldier, an ancient Elder or a deliciously evil Old Crone. I can create Seers and Magis, Spirits and Immortals in ways your focus grouped bestsellers simply can’t.

Unlike you, I’m not driven by fear.

I’m driven by freedom.

And that, Miss Grafton, is why this talentless hack who doesn’t work hard self-publishes.