secret words

A teeny-tiny peek at the Prologue for Shayateen, the WIP (work in progress) third Martuk…the Holy book.

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The Increasingly Poor Decisions of EL James

If Variety is to be believed — and it’s usually more right than not — “author” EL James has decided to write the script for the second Fifty Shades of Grey movie. Let me attempt (and I can’t promise my head won’t explode while doing this, but I’ll give it a go) to count the ways this is so very, very wrong.

A) Screenwriting, especially the adaptation of a book to film, is more than recording in script-form what happened in the book. If Miss James’ fiction writing is any indication, her work as a screenwriter will almost certainly lack the finesse, sophistication, pace and, oh I’ll just say it, SKILL that a screenplay for a major Hollywood movie needs. As I’m learning with my own spec adaption of Martuk … the Holy, you need to have a ruthless eye for what’s essential and what can be consolidated or completely chopped. It’s a very delicate balancing act, one that Miss James, according to first hand accounts from production, steadfastly refuses to do.

Listen, if Kelly Marcel, a gifted screenwriter with some very good films under her belt, can beat her head against the wall for months trying to turn Miss James’ first person present tense narrative-free drivel into something – ANYTHING – that might work onscreen and still come up woefully short (due, in part, to Miss James’ constant intrusion and obvious need for control), how in the hell does Miss James think she can pull it off?

She can’t.

B) The success of a book adapted for film is found in the creative team that works WITH the author to successfully help the story make the transition. In other words, the author needs to surround themselves with the best team possible and then let go and allow those who know what they’re doing get busy and do what they need to do. The goal should be having the film be a success for everyone, and that’s damn hard to do if a newbie keeps inserting his or her busy-body into every frickin’ decision.

Miss James’ unwillingness to take her hands off the wheel — and Universal’s head scratching (and, in hindsight, no doubt desperate) decision to give her unprecedented control — has taken what could have been a fairly good film based on an infamously bad book series and turned it into a hilariously bad movie (one that had a great opening weekend, but has seen a 60% drop since then).

Allowing a hack writer to pen what will most certainly be an amateurish script is asking for trouble. It’s putting a hopefully respectable and respected Director in a position of having to work with something that might be impossible to shoot, forcing a production team to work for many months on something that reeks to high heaven from the get-go, and cornering a Studio — A STUDIO — into putting a successful franchise in the hands of a first time (say it again with me, kids) FAMOUSLY PISS POOR WRITER. After the reviews of the first film, they NEED the second to be better. Period. Full Stop. End of story. And for a non-screenwriter to demand she write the screenplay …

My god, a gamble of that magnitude makes even MY head spin. And the clueless arrogance and hubris of Miss James … I don’t even know where to begin.

C) The audience.

So, yes, let’s talk about the audience. The first movie had a smashing opening weekend. Driven by curiosity and, for fans, an almost knee-jerk need to defend something they like, people hit the theaters in droves. And if the reviews and audience feedback are any indication, the adaptation was a disappointing dud. One that made money, yes. But will it get repeat business, the cornerstone of every blockbuster franchise? Probably not. Will people be lining up as eagerly to see the sequel? That’s a big question mark.

Because if the sequel is as bad as the first one, the curious, having been sated with the first installment, may decide it’s not worth the price of a movie ticket and just catch it on PPV or Streaming. And the Fans Who Seek to Defend? Well, if they’re feeling disrespected — ANOTHER bad film of a book I love? Are they even TRYING? — they may reconsider.

Listen, the sequel NEEDS to be stronger. Period. And it needs a better script and less author intrusion. The chances of that happening if Miss James is in charge? Slim to none. And with her contractual control? Good luck getting her to do rewrites or agree to cuts that everyone agrees are necessary, but that she believes are fine.

Again, my head, it’s spinning, spinning, spinning with how off the rails this can go.

In conclusion, what remains is this: for writers like me who are just beginning their Hollywood journey into AdaptationVille, the willingness of a Studio to allow even the slightest bit of control in the future is hanging by a thread. What if so-and-so ends up being another EL James with his or her hand in everything? And they have no idea what they’re doing? And they’re bullshit slows down production and costs us money? Ack! They’d run for the hills.

You know, it kinda sucks that, as writers, we’ve had to work doubly hard to help readers see they deserve better than the stupefying pile of stinking shit that called itself Fifty Shades of Grey. And, as readers, we’ve had to sift through the mountains of atrociously written Fifty Shades wannabes that have spread through the publishing world like an unfortunately timed yeast infection.

Are we now, as screenwriters and moviegoers, going to have to pay yet another price for The Increasingly Poor Decisions of EL James?

God, let’s hope not.

Martuk … the Holy: Proseuche

Proseuche, the long awaited sequel to Martuk … the Holy, is slated for a mid-July 2014 release date.

So, between now and then, you can expect news on upcoming interviews and blog stops, excerpts, peeks at the cover and back cover synopsis, and perhaps even a few blurbs from some of the best authors working today.

Real excited about this one, guys. 🙂

a new Wounded King

Sorry, kids, but there ain’t nothing better than getting a brand spanking new cover for one of your books.

And that’s what’s happening with The Martuk Series, an ongoing collection of Short Fiction inspired by my award-winning full-length novel Martuk … the Holy.

First up for the face lift was The Wounded King, next will be The Elder, and then Red and Gold, the third in the series, will be making its debut.

But I don’t want to jump the gun and upload the new TWK cover until the one for The Elder is finished, so … here’s a teeny, tiny sneakity peek.

 

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And that’s just a glimpse of the awesomeness to come.  🙂

 

warriors and Queens

The great thing about writing sequels — my creative mind currently ensconced in Red and Gold — is revisiting earlier work and, pushing all that useless false modesty aside, remembering just how damn good you are.

Ergo, an excerpt from the most recent in The Martuk Series, The Elder:

 

The Child had stopped, her body still, her blood-drenched toes far from the ground, her face stained red as she watched me with bleeding eyes.

The Seer had stopped, the bent body now still, waiting.

The wolves were quiet, their bodies hidden in the dark, waiting.

She spoke, The Child, her words silently on The Seer’s lips.

“Made of ash, of stone, burning from the bones, warriors and Queens, a woman trapped in time, a rival drawing near, hatred, love, pain, hatred, love, pain, hatred … ”

The bones crunched and snapped as her head circled, the neck rolling chin to chest and then back, her jaw snapping open and shut.

Then she paused.

Breathed.

And spoke again.

“He will come, the one you seek, with the death, the life, stepping through the light, walking on the bones.”

She then closed her eyes as she bent back, back, back, her bones snapping with a crack as she broke her back, the golden locks of her silken hair touching the delicate heels of her tiny feet.

The body dropped to the ground.

From the shadows, the wolves pounced.

The Seer breathed deep, heavy, thick.

I stretched out and rested my head, the Whispers drowning me as the world spun and throbbed and tilted.

Fiend …

Evil …

She waits …

Who? I asked, my eyes closing.

She comes …

The wolves dragged the broken Child away, jaws around her skull, her arm, even the delicate heel, hungry to rip and shred the succulent flesh and gnaw the tender bones.

Who? I asked again, the cool soil against my face, my forehead.

I opened my eyes, the air too hot, the rank taste of bile on my tongue, and the thick scent of age and rancid sweat and death in my nostrils.  And from the shadows the wet sound of the girl being devoured as the wolves ripped and shredded and tore in my ears while the world heaved and lurched.

The sound of wings.  Great wings.  From behind me they came, the unexpected whoosh, whoosh, whoosh coming closer.

But I was too tired.  Too tired and too sick.  Too sick and too weak and too confused, the ground buckling and spinning too much for me to keep my eyes open, to turn, to see what had wings.  Wings too large and too great.

She comes …

From the mountains? I asked with a sigh as I exhaled and ended the fight, allowing darkness to take me.

From the ash …