a small somewhat ephemeral thing

A sincere Thank You to everyone who picked up a copy of The Tall Priest or took advantage of the recent promotion and snagged a free copy of The Wounded King.

Because of your support, The Tall Priest climbed higher on the Amazon charts than any of the previous Martuk Series books. And, especially in light of the minimal marketing I’d done, that’s a small, somewhat ephemeral thing worth celebrating.

Here’s hoping enough of you will like it enough to share your thoughts with a brief review. (crosses fingers)

The Tall Priest 2.1-FINAL-COVER

 

The Wounded King Final - cover

 

beautiful brutal razor’s edge

Here’s what one review said about The Wounded King:

““The Martuk Series” of novellas… really captivated me…with an amplified sense of brutality and pain, there’s dark stuff here kids, all the way around. And I am on pins and needles for the next entry in “The Martuk Series”, “The Tall Priest”.

Not only will this push the envelope, it will guild that envelope in gold, hone it to a razors edge and use it in a beautiful & brutal ceremony. It so fucking heavy and beautiful and I loved every moment of it.”

So head on over and pick up The Wounded King, the first in the series, FREE now thru Sunday, March 12th, 2017.

The Wounded King Final - cover

 

the clattering clank of tiny bones

Since Amazon cut off the sample before it got to the text, I’ve included an excerpt here from The Tall Priest:

One

I was blood.

The taste of it raced ‘round my teeth and flooded my throat. The warmth of it fell from my eyes and stained my cheeks. The red of it dripped off my chin to wander along my neck and down my chest.

I’ll give you my son, she’d said, the Seer from the Mountains. Leave me here to do what must be done and I’ll give you my son.

Her words the darkest of shadows clouding my calm, I’d returned to Uruk that morning, the Seer’s son, an unexpected charge, in hand. Soon I’d stood in the Temple, my explanations useless, The Elder’s rage quiet and terrifying. Moments later, I, a powerful priest in a land of powerful priests, had been dragged across the stone to face my fate.

Now I kneeled, a powerless man in a prison of wood and stone, broken and bloodied in the dead of night.

By morning I’d be a corpse.

I’ll give you my son.

Those words, heavy with heartbreak, had come from the Water first.

Days ago in a small room hidden far beneath the Temple, I’d stood with my beloved, The Elder, as the shimmering pool had whispered

Blinded…

Silent…

Bleeding…

“Don’t. Please,” The Elder said as I’d waited, gripping the edge of hollowed stone, my face dipped low as I silently called to the Gods.

The Veil…

The Darkness…

It comes…

the Water whispered, answering me, the words caressing my cheeks.

He’d begged and pleaded, the Elder, this most powerful man in a city of powerful men. Implored me to turn away. Allow the Water to hold its tongue. Keep its secrets. “It’s dangerous and I can’t bear to lose you,” he said, his voice thick.

“I need to speak with the Gods,” I said, braced with uncommon courage. And I’d ignored him, leaning forward, blade in hand, to slice, to watch, to see. To listen and hear, the blood dripping from my wrist the key unlocking my fate.

And the Seer from the Mountains had appeared in the shallow bowl, the words

Take my son

falling from her lips.

These words, these three syllables, soon to be spoken a three nights walk from Uruk where she, the Seer, and I would stand, watching, under the shade of trees.

Take my son

Hearing her, I’d pause.

For that the guards put me in chains.

More words would be spoken on that path a three nights’ walk from Uruk, a darkening sky above. Of dangerous shadows and ravenous demons. Of monsters and magic. Of battles being fought and wars being lost. Here. Now. Unseen yet all around.

My heart, my gut, trusting her, I’d listen.

For that I lost my eyes.

Days later, now days ago, the tears wetting her cheeks as she stood, silent and waiting, her story at an end, my heart heard

…my son

And, against logic and reason and rules, braced with yet more uncommon courage, I’d relent.

For that the guards cut out my tongue.

Learning I’d heard and listened and trusted, my secret beloved, The Elder, had grown dangerously quiet. Discovering I’d acted against logic and reason and his rules, he betrayed me. In response to my misplaced courage, he ripped out my tongue, robbing me of my words, my knowledge, my secrets. And then, my eyes dug out and tossed to the hounds, those two words

…my son

finally took from me the pleasure of seeing the sun, the moon. The once-adored face of the love who betrayed me.

The Water in a small, secret room far below the Temple had spoken of that, too.

As had the sky, the earth, the forest, the stones…

Days ago.

Now I turned. My long legs tucked under, I rested on my knees, the cold stone of the cell burning my shins. In the dark of blindness, I heard them. Other prisoners. Their sighs and whimpers, tears and whispers. Heard the shuffling of thin fabric and the shivering of bare flesh. Felt the Silent Other, a stranger to me, waiting, watching. Drawing near, slow and patient, from the other end of the earthen hall.

A Silent Other I’d glimpsed when my eyes could still see, though I stood in the shade of trees under the gathering grey of relentless clouds. He haunted me still, this Silent Other, this stranger. His dishonest smile cutting through the terrifying darkness. The leather cloak falling from his shoulders hemmed with the clattering clank of tiny bones.

I swallowed the memory away, the blood from the still-bleeding root creeping down my throat. It still stung, that stolen tongue, though the burn in my missing eyes had given way to an exhausted thump, thump, thump.

Had I tears, I would have wept. For all I’d lost. All I’d never have. For mistakes and regrets. Lies. Betrayal. The ache of a broken spirit.

For my stupid willingness to abandon reason and peer into an endless wall of black.

But I’d been warned.

Days ago.

Silence

the earth had whispered.

Darkness

the trees had echoed.

Death

the sky had promised.

I’d been warned.

 

TWO

“It’s said she Called the Rain,” the Fat Priest said. He leaned, red-faced and sweating, against a boulder. “And that she battled a demon or something.”

I’d grinned, willing him silent, eager for the sound of the breeze snaking through the branches or skimming over the grass. The blessed silence of a bright sun warming my skin. The private joy of crisp air in every breath.

“A darkness,” I said instead.

“A what?”

“A darkness,” I said again, my voice louder and perhaps too harsh. “She battled a darkness, not a demon.”

“Stupid peasants.” The Fat Priest said. The rolls of flesh circling his neck jiggled as he chuckled before stopping to choke on a fit of sudden coughs.

I looked away. Ignored my travel companion, still resenting this pairing forced on me for this most important of tasks.

“Six days,” the Elder had promised. “In six days you will be home.”

And so the Fat Priest and I left when the moon was still high, walking into the shade of the thick trees outside Uruk. Stumbled up the trails into the deeper dark of the hills where the stars could no longer light our way. Struggled past the boulders and the stones. Angled past the vines and climbed over the immense roots of massive trees. Made our way, step by lumbering step, into the ancient mystery of the mountains as night relented and morning came.

All for him, The Elder.

And for her.

The mother of this young man who could speak with Those Beyond the Veil was coveted and desired. “Do you think she Called the Rain?” the Fat Priest said as his pudgy paw mopped the sweat from his brow. “Probably not,” he then said, answering his own question. He wiped his hand on his robe. “All this work, all this walking, hot sun, steep hills, bugs and who knows what watching from the trees, and all for nothing.”

“And if you’re wrong?” I said, my eyes on the distant hills awaiting us.

He grunted, the sound not quite a laugh, but not daring to be disrespectful.

“I do know this,” I said, keeping my temper in check as I refused his gaze. “It is said by those who know of such things, travelers and traders, those who’ve sat and supped and broken bread with her, that this woman speaks with Those Beyond the Veil.” I looked to him. “She has a rare and powerful gift given by the Gods.”

The Fat Priest watched me, his hand rising to shield his small eyes from the sun. “Is that so?”

I nodded. “If this is, in fact, true…” I stopped.

I took a breath. Steadied myself. Willed myself not to smile, the desperate ambition of this simple man an instrument almost too easy to play. “If this is true,” I then said, “think of the glory that awaits. The eager affection of those painted women in those dark alleys known only by a select few. The ample reward, the coin, the respect, that’ll be showered on you from the most powerful of priests.”

He watched me, the small eyes narrowing to mere slits atop the rounded, reddened cheeks. “Who are you?” he said. “The Elder favors you. Why?”

Pushing forward from the stone, he rose with a grunt to take a lumbering step toward me. “It’s said you have access to him that others don’t.” He paused, the hand again rising to block the sun. “How did you get that?” Another step, the eyes still narrow. “Tell me.”

“I serve the Gods, the king.” My heart was racing, my throat dry. “I do as you do, my friend.” I offered an easy smile. One that was ignored. “I cannot say why the Gods, or the Elder, favor me, if, in fact, as you say, they do.”

Feeling the Fat Priest’s jealousy, perhaps even anger, I could not tell him the truth. Could not share the beginning.

How The Elder and I came to be was my secret to keep.

***

The Tall Priest 2.1-FINAL-COVER

available now

And pick up The Wounded King, the first installment, for FREE

(March 10th thru March 12th)

myriad pieces of haphazard puzzles

I’m a relentless optimist. I’m also a no-bones-about-it realist. It’s a nice blend. Keeps me relatively stable and sane in what can be a career of dizzying highs (or so I’ve heard) and abysmal lows (first name basis frequent flier here).

And one of the things I’ve come to understand is you need both to effectively move through what can sometimes be the mystifying, frustrating process of being adapted from fiction to film (or TV).

And, believe me, I’m not slamming the process.

What most don’t realize is that moving a project forward in Hollywood, getting from A to B, is often dependent on a haphazard puzzle of myriad pieces somehow finding a way to snap together. It could take weeks. It could take months. It could take years. It could never happen. Some projects click quickly. Others less so. But the pieces need to come together, they need to fit and, as much as possible, they need to be perfect. And the one constant truth linking those two together, and everything in-between, is that you, as the writer, have zero say in how things inch forward. You just don’t.

Nor should you.

But this is the beauty of being a writer and one of the reasons I love what I do: when the no-bones-about-it realist starts to nag the relentless optimist, chipping away at his sunny disposition with perfectly reasonable doubts, the Writer gets to work.

Because not only am I a relentless optimist, a no-bones-about-it realist and a Writer (with that capital W), I’m also blessed with a creative mind that just…doesn’t…stop. The list of projects I have on my calendar currently stretch into 2020. And that’s not taking into account whatever projects land on my plate driven by other people, production companies, my publisher, anthologies, etc.

The Martuk Series. Eidolon Two. Eidolon Three. Eidolon Four. Eidolon Five. The third Martuk novel. A new project about magic and secret realms and dangerous monsters that lurk in plain sight, spanning different timeframes all at the same time. A potential three-book series centered around Mot from the Martuk books. Continued script adaptations for film, for TV.

So when I start to feel a bit grrrrrrrrrrrrr…I just flip it into work. And as I write, as words land on the page, hopefully stretching into paragraphs and then pages, chapter after chapter finally becoming a book or a short story or a screenplay or whatever, all those haphazard puzzles with their myriad pieces, something I can do nothing about, are putting themselves together. Bit by bit. Piece by piece. Phone call by phone call. Rescheduled meeting by rescheduled meeting. Email by email.

But, and this is important, when I get that email or that text or that phone call or whatever by whoever saying “Hey, let’s talk” it makes all the waiting – and furious writing – worth it. It really does.

Because another constant thread with this business is the courage to take a chance. Yes, get those pieces together and make ’em fit. Do what you can to guarantee as much as possible the largest audience possible. (Talk with me ’cause Lord knows I got ideas) But at the end of the day, you’re still rolling the dice and taking a risk.

It’s just what we do.

What’s my point with this? Maybe nothing. I’m not sure.

All I know is, as a writer, I’m lucky I drive the bus and can turn whatever impatience, curiosity or whatever I feel into work. Work that might, at some point, end up being part of yet another puzzle with pieces needing to be put together.

Which will lead me into writing more.

It really is a gloriously vicious cycle, ain’t it? 😊

a world screaming

From the blood drenched depravity of The Wounded King, the ancient curses of The Elder and the heartbreaking betrayal of Red and Gold, we now follow The Tall Priest as he meets the boy who will soon become the immortal Martuk.

It begins with blood.

Ordered to bring the famous Seer from the Mountains to the Elder, the Tall Priest quickly discovers a world outside Uruk’s massive gates. A world alive with the impossible. A world screaming, warning him of the unseen darkness shadowing his every step. Of the horrors of a past that still live. Capturing. Trapping. Feasting. Horrors the Seer is desperate to fight, her only hope the Tall Priest taking her beloved son far from danger and saving him from certain death.

Once home, betrayed by the one he loves, his end ignominious for one so powerful, the Tall Priest waits for death. Blinded and mute, fearing an end that never ends with Those Bones in the Stones, this is the story of a heart broken by unimaginable truth. Of honesty and kindness met with torture and death. Of how unconditional love results in the prison of timeless immortality.

This is…The Tall Priest.

 

martuk-series-crop-feb2017
coming soon