I was really impressed

…says a new review over at Morton’s Mayhem for Eidolon Avenue: The First Feast

Always nice when readers take the time to let me know they enjoy what I do.

Clickity-click-click-click the link and take a look!

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Eidolon: Favorite Read of 2016

Following on the heels of Horror Novel Reviews including Eidolon Avenue: The First Feast in its Best of the Year list, Zakk over at Ex Libris The Eyes of Madness has now jumped onboard, naming Eidolon one of his favorite reads of 2016.

Fingers crossed that Eidolon Avenue: The Second Feast will be out late-2017/early-2018.

I’m working on it.  👊😎👍

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Eidolon: One of the Year’s Best

I’ve just learned Eidolon Avenue: The First Feast was voted one of 2016’s Best over at Horror Novel Reviews.

This is a huge honor and, as it’s my first “Best of” list, something I’ll treasure. ‘Cause, hey, you only get your first time once, right?

What a great way to pep up a grueling day! 😜

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we are never 100%

We are never perfect. We are never 100% day-in and day-out our best. The path to our greatest work is riddled with failures, mistakes, bouts of laziness and just plain ol’ bad writing (or whatever it is you do).

It’s important to remember this when you find your tank empty and your creativity strangely silent.

Sometimes, though, it’s wise — and I’m speaking to the writers here — to push through and, at the very least, get words on the page. Even if those words are the worst words you could ever write. At least you’ll be giving your mind and your talent an opportunity to open its eyes, wake, stretch and go “Oh yeah, I need to get back to that.”

Or at least that’s the idea that helped me write this “Do Your Worst” essay in Crystal Lake Publishing’s new Writers on Writing Vol. 1-4 Omnibus.

Check it out. Tons of good advice to be found.

Oh. And me. 😉

A brief glimpse:

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“wickedly horrific”

From an April review of Eidolon Avenue: The First Feast

“…I’m just going to tell you what I think really makes these novellas work and what makes me think Jonathan Winn is a brilliant young author. There are two things that really stand out for me. One is that Winn’s characters are fantastic, so incredibly well developed for such short works, and, love em or hate em, they make you feel something, and they make you interested in their fates. The other thing, and this one is huge for me, is that his endings are fucking perfect. Some of the hardest hitting, wickedly horrific finales I’ve ever read. Because of that, the stories stay with you long after you’ve read the last word.”

Read the entire review over here.

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An Anniversary painted darkest black

Anniversary. Apartment 1D. The fourth story in Eidolon Avenue: The First Feast.

After the grand scope of Lucky, the gut punch of Bullet and the nightmare of Click, I desperately needed a change of pace. And so out came Marta and Benji and Mr. Peabody. Out came levity and a bit of humor. Characters who share truly horrible experiences with a sense of aw shucks fun. The focus of the story more condensed than the others with the action taking place at a kitchen table during a meal, the narrative driven by dialogue.

Having cut my teeth on screenwriting, I’ve found it helps to shift from prose-driven stories to dialogue-driven stories once in a while. It snaps the senses of the reader, throws the rhythm a bit, and keeps them engaged and on their toes. Plus I suspect they enjoy it when a writer surprises them by landing a playful left hook.

But, as with everything on Eidolon, there’s a twist. And with Marta and Benji, considering it’s their 50th Wedding Anniversary and they’re celebrating it by finally getting their decades-long murder/suicide pact right (with Mr. Peabody’s help) I needed to take the carefree lightness and levity of the story and not only turn it on its head, but paint it darkest black.

I needed to take everything good about Marta’s love for Benji — and Benji’s love for her — and, by revisiting what’s been said, alter the context, revealing the reality to be something entirely different.

Then I needed to allow the building to exact its price. And, in Anniversary, the cost for what’s been done is chilling and haunting and, in the end, sad.

Again, after the grand scope of Lucky (1A), the gut punch of Bullet (1B) and the truly living nightmare of Click (1C), Anniversary, for me, hit the right blend of fun and frightening.

And it was a blast to write.

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