First of Five

And so it begins.

In a rare confluence of events — think a massive meteor shower pummeling the earth while a rare comet circles the heavens around a total Solar Eclipse as we discover a Kardashian with actual talent — I’m going to have five book releases over the next three months.

I know, right?

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First up, Horror 201: The Silver Scream

The definitive guide to filmmaking and filmmakers by the best in the field.

Horror 201: The Silver Scream, the follow-up to the Bram Stoker Award nominated Horror 101: The Way Forward, delves into the minds of filmmakers to see what it takes to produce great horror films, from the writing and funding process, to directing, producing, and writing tie-ins.

It’s a tome of interviews and essays by some of our favorite artists.

That’s right, film legends and authors such as Wes Craven, George A. Romero, Ray Bradbury, Ed Naha, Patrick Lussier, Stephen Volk, Nancy Holder, Tom Holland, John Shirley, William Stout, and John Russo want to share their expertise with you through informative, practical, career-building advice.

These are the folks behind movies and novelizations such as A Nightmare on Elm Street, Scream, Dark Shadows, Sleepy Hollow, Supernatural, Buffy, Resident Evil, The Stand, Sleepwalkers, Masters of Horror, The Fly, Critters, Tales from the Crypt, Child’s Play, Fright Night, Thinner, The Langoliers, Ted Bundy, Re-animator Unbound, Halloween, Apollo 18, The Eye, Night of the Living Dead, The Crow, The Mist, Pan’s Labyrinth, and Raiders of the Lost Ark.

Horror 201 also entertains. You’ll see a side of your favorite authors, producers, and directors never seen before – combining fun and entertainment with informative career-building advice.

Horror 201 is aimed at arming generations of authors, screenwriters, producers, directors, and anyone else interested in the film industry, from big budget movies to the independent film circuit, as well as the stage.

The definitive guide to filmmaking and filmmakers by the best in the field.

Whether you’re an accomplished author or screenwriter, writing as a hobby, or have dreams of writing screenplays or making movies, Horror 201 will take you on a behind the scenes tour of the Horror movie industry from Hollywood to the UK and Australia.

Horror 201 covers:

  • Horror as culture
  • Scare tactics
  • The evolution of the horror film
  • Viewer desensitization
  • Watching your story come to life
  • Screenwriting advice
  • Dissecting screenplays
  • A production company case study
  • Tricks of the trade
  • Writing tips
  • Advice on Producing
  • Advice on Directing
  • Information about funding and distributing a film
  • Entertaining tidbits and anecdotes

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But wait, there’s more!!!!!!!

Horror 201: The Silver Scream is perfect for people who:

  • are looking to delve into screenplay writing
  • want to write their first screenplay
  • are fans of the horror movie industry
  • like to follow the careers of their favorite directors
  • are planning on infiltrating a different field in horror writing
  • are looking to pay more bills with their art
  • are trying to establish a name brand
  • are looking to get published
  • are looking for motivation and/or inspiration
  • are seeking contacts in the film industry

Amazing, right?

How about a cover?

Horror 201

Honestly, I love how the red of the car echoes the red in the title and the red in that other car. And the silver of the screen? With the woman screaming? To me, it’s ever so slightly reminiscent of —

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So, one release down, four to go. And what are those other four books?

An essay in the second volume of Horror 201: The Silver Scream; Forever Dark, an award-winning short story in Tales from the Lake, Vol. 2; an essay in Writers on Writing, Vol. 2; and Eidolon Avenue: The First Feast.

All between now and January.

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It just makes me feel all warm and fuzzy inside.

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Okay, but, still, how cool is this!

Will update with links as the rest of these roll out.

 

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worse than mediocre – NY Times

A recent diatribe in response to a NY Times piece about Amazon’s Kindle Unlimited program:

Although the article focused on the problems with Kindle Unlimited (which I agree is grossly unfair to self-published authors) what really stood out for me was the claim that the last few years have been a ‘golden age” for writers. In my opinion, for readers, it’s been anything but.

As more and more decide they can “write”, quality plummets. And if you have a large social media platform, the chances of your sloppy, abysmal work gaining a following, becoming a bestseller, and getting hundreds of “OMG, this is SO GOOD!!!!!!!!!!” five star reviews is great. Which enables really bad writers to continue putting out really bad books. What also happens is you have a whole generation of readers who are never exposed to truly great storytelling and interesting, unique characters, and potential writers who hold up this bad work as the standard to aspire to.

How is that a “golden age”?

I have no idea what Amazon will do with Kindle Unlimited. Truth is, I don’t think they care. What I’m more concerned with is returning to the time when books were good and hacks who were slightly worse than mediocre weren’t applauded and rewarded.

Jonathan Winn

author of Martuk the Holy: Proseuche

Novel of the Year?

With a strong handful of glowing reviews and having cracked the Top 100 of Horror on Amazon, do you think Martuk … the Holy: Proseuche could be considered a “Novel of the Year”?

If so, please consider taking a quick second to email

awards@thisishorror.co.uk

by November 28th with the subject line ‘This Is Horror Award Nominations 2014′ and nominate it for Novel of the Year. Just write them and say something quick like

Novel of the Year — Martuk … the Holy: Proseuche by Jonathan Winn

And then we’ll all sit back and cross our fingers, right? Right. 😉

Carpenter, Craven, Barker and me

I’ve been invited to join the TOC (Table of Contents) for the upcoming Horror 201: The Silver Scream. (2015)

I’ll be joining truly illustrious people like John Carpenter, Wes Craven, Clive Barker, … well, check out the list. I don’t know how Joe Mynhardt, the editor – who’s brilliant, by the way — does it, but, dang, he always manages to get an awesome line-up.

Oh, and me.

I’ll try not to embarrass myself. 😉 

Where no Martuk had gone before

Woke up this morning to find Proseuche sitting squarely in the Top 100 on Amazon for Ghost Fiction.

May not seem like much, but, damn, it was a first for me. I’ll take it!

See?

Screen Shot 2014-08-25 at 8.58.47 AM

Kinda cool. 🙂 

help Martuk … the Film

Tomorrow. Sunday, the 24th of August. Mark the date. Tie a piece of string around your finger. Set your smartphone alarms. Do whatever you can to remember that date.

Why?

Because that’s when you’re buying my latest book Martuk … the Holy: Proseuche

Here’s the deal: I have a Studio circling the Martuk books, certain they’d transfer fantastically from book to film and, quite possibly, become a very successful tentpole franchise (i.e., a “tentpole” being a somewhat predictable summer moneymaker for the Studio). We’re talking marketing across different platforms: graphic novels, a possible TV series like Game of Thrones, and, of course, the films.

Problem is they need to see if there’s a market for what I do. If there’s an interest.

Now, before you say, Well, wouldn’t they look back at ALL the sales history to get a more accurate idea?, just let ME say that that’s what I thought, too. But I was wrong, or so I learned.

Listen, Studio Execs have enough on their plates without following my sales. They’ll look at THEIR calendars, see the conference call with that Martuk the Holy guy in, like, five minutes or something, and, out of curiosity more than anything, go over and see where the latest book is sitting in the rankings. That’s it.

Their focus is on story, character, who they can cast, who the potential audience is, etc and so on. Who I am and my sales are pretty far down on their list. Because they expect to build buzz around the book. A buzz they’ll orchestrate and control with their own goals and marketing in mind. So it doesn’t need to be a runaway bestseller to compete. It just needs to come to the table with some kind of respectable ranking the morning of our phone call.

And if the author can show he or she’s able to mobilize their social media strength into attention, support, interest and, perhaps, future ticket sales? Even better.

That’s where you come in —

On Sunday, August 24th, buy Proseuche. Head over to Amazon or B&N or what-have-you and One Click that puppy.

Please.

If I can go into this call on Monday the 25th armed with proof that there is, and could continue to be, interest, I could actually lock this deal down.

So, schedule your reminders, set your alarms, and tie those strings around your fingers. Sunday, August 24th.

It’s alive … IT’S ALIVE!!!!!

Well, it’s happened. The day I sometimes worried would never come is finally here. The release of the book a recent review called “amazing … breathtaking … creepy”.

Of course I’m talking about Martuk … the Holy: Proseuche, the sequel to Martuk … the Holy.

Got a nook? It’s here. Need it in every format under the sun? Try here.

And just for fun, here’s the cover again:

Proseuche_Cover-FINAL