pause

It’s not an end.

Or a beginning.

It’s just a breath before the storm

to clear my head

strengthen my spine

recover my strength

and be ready for when life

with all the subtlety of a four alarm fire

shifts into gear and catapults me,

once again,

out of

Pause.

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“wickedly horrific”

From an April review of Eidolon Avenue: The First Feast

“…I’m just going to tell you what I think really makes these novellas work and what makes me think Jonathan Winn is a brilliant young author. There are two things that really stand out for me. One is that Winn’s characters are fantastic, so incredibly well developed for such short works, and, love em or hate em, they make you feel something, and they make you interested in their fates. The other thing, and this one is huge for me, is that his endings are fucking perfect. Some of the hardest hitting, wickedly horrific finales I’ve ever read. Because of that, the stories stay with you long after you’ve read the last word.”

Read the entire review over here.

Eidolon Avenue front cover-WARNING

An Anniversary painted darkest black

Anniversary. Apartment 1D. The fourth story in Eidolon Avenue: The First Feast.

After the grand scope of Lucky, the gut punch of Bullet and the nightmare of Click, I desperately needed a change of pace. And so out came Marta and Benji and Mr. Peabody. Out came levity and a bit of humor. Characters who share truly horrible experiences with a sense of aw shucks fun. The focus of the story more condensed than the others with the action taking place at a kitchen table during a meal, the narrative driven by dialogue.

Having cut my teeth on screenwriting, I’ve found it helps to shift from prose-driven stories to dialogue-driven stories once in a while. It snaps the senses of the reader, throws the rhythm a bit, and keeps them engaged and on their toes. Plus I suspect they enjoy it when a writer surprises them by landing a playful left hook.

But, as with everything on Eidolon, there’s a twist. And with Marta and Benji, considering it’s their 50th Wedding Anniversary and they’re celebrating it by finally getting their decades-long murder/suicide pact right (with Mr. Peabody’s help) I needed to take the carefree lightness and levity of the story and not only turn it on its head, but paint it darkest black.

I needed to take everything good about Marta’s love for Benji — and Benji’s love for her — and, by revisiting what’s been said, alter the context, revealing the reality to be something entirely different.

Then I needed to allow the building to exact its price. And, in Anniversary, the cost for what’s been done is chilling and haunting and, in the end, sad.

Again, after the grand scope of Lucky (1A), the gut punch of Bullet (1B) and the truly living nightmare of Click (1C), Anniversary, for me, hit the right blend of fun and frightening.

And it was a blast to write.

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