Just stumbled across an interesting conversation that set my own mind a’thinkin’ (always a dangerous thing). And since I wasn’t asked to share what MY process is on said blog — truth be told, they don’t even know I exist, so who can blame ’em? –, I thought I’d bee-bop on over to my little corner of the Universe and share it anyway.
So, how do I write?
It all begins in my head.
Okay, that’s kinda not true. It starts in my head, yes, but it’s more a story I’m hearing rather than a story I’m “making up”, if that makes sense.
Martuk from Martuk … The Holy introduced himself to me one day in March of 2008. Out of the blue. You know, kind of one of those Hey, how are ya, and do I have a story for you-type of deals. And once I understood and accepted that I could be THAT kind of writer as well as a screenwriter and playwright, I found the first draft of the book flying onto the page with relative ease.
But as to HOW that happened, this is what I’ve found works for me:
I type myself emails. Short and not-so-short thoughts working through the plot. Hashing it out. Working it through. Seeing if it squares up, makes sense, could maybe be an interesting read. You know, making sure it all fits before I type Chapter One.
Unlike some, I don’t really plot out people to be met or character flaws to surmount or any of that stuff. Maybe I should. But I find if I have a general map — my Chapter Map –, the people Martuk needs to meet end up introducing themselves when need be.
And many of the characters in Martuk couldn’t have been plotted out because I wasn’t in that world yet, the palace in ancient Uruk, the altar, the priests in red and gold. I needed to get there to discover who was waiting. And I was smart enough to sit back and let them introduce who they were and what they were dealing with. Instead of assigning them wounds, I allowed them to lift up their sleeves and show me the cuts and scrapes and slices themselves.
But, still, I’m following that map.
If I find a character wants to go deeper into his or her story — and stray further from Martuk’s narrative –, I now make a note for The Martuk Series and promise them they’ll get their own book. Short Fiction, of course, but still … it seems to placate them for the time being.
Once the book is finished, I save it in PDF and send it to my iPad where I open it anew and, stylus in hand, start covering the page in red. Call me weird, but I love this phase. And for some reason, I notice things a lot more when I move away from the laptop screen to a PDF on an iPad. Glaring mistakes. I mean, huge doozies. I don’t see them until I open that PDF on my iPad.
Strange, isn’t it?
But it’s during this process where the book really comes to life. Marked up PDF in one hand, my laptop open in the other, headphones firmly in place as the story shifts and changes shape. Becomes tighter, leaner, meaner. All that red scribbling and circling and question marking and WTF-ing necessary in creating a great read.
Depending on how sloppy I’ve been, I’ll sometimes go through three or four edited PDFs before the book is ready.
And then, AMSchultz cover in hand, book published, and new chapter map on deck, I find myself typing Chapter One. Again.
God, I love what I do.
Many thanks for the S/O, sir!
I may have to invest in an iPad now. That definitely seems like it would work well for me, since I prefer to be a pen-to-paper guy anyway.
It works wells for me. Just download the GoodReader app which allows you to both read and annotate PDFs and you’re ready to start marking it up.
Of course, I can’t promise you’ll be able to make sense later of all your circles and arrows and question marks and scribbles, but, still, it’s worth a shot (says the guy who often can’t make sense of his own circles and arrows and question marks and scribbles).