A sip of Anniversary

Another little teeny tiny peek at Eidolon Avenue, my new book due out in 2016 from Crystal Lake Publishing, one of the top publishers of dark fiction and horror.

Why not? Besides, you’ve already had a glimpse of China followed by a taste of Bullet and then a little Click. Makes sense to take a sip of Anniversary, right?


“I suppose.” Gripping the table’s edge, she hoisted herself back and plopped down into her chair with a deep sigh. “That makes more sense.” The thought rolled through her mind as she reached for her champagne. “Oh, that’s right. I remember. He took a bump to the head, quite a big one, now that I think about it, and knocked himself cold as a cucumber for, oh, how long was it …” A glance down at Benji. “Something like two or three weeks, wasn’t it, dear?”

He ignored her, his eyes on the ceiling above her.

She looked back at Peabody. “Trust me, it was two or three weeks. Just laid there in the hospital bed, dead to the world and snoring like a lumberjack. Took his darn sweet time waking up, too, I gotta say. Found myself envying him toward the end. And then he woke up and …” She shrugged. “Life went back to being life and we went back to messing it all up, time and time again.” She paused. “Though he did seem … I don’t know. Off, I guess. Or somehow different in some way after then. Just not the same.” A small grin for Peabody as she sipped her champagne. “I guess that’s what falling off a cliff will do to you.”

“But that wasn’t the first time,” Peabody said as he placed the champagne back on the table and pulled his salad bowl near.

“Oh no, no. Not at all.” Fork in hand, she tucked into her bowl of watercress. “Now, remember, that was the ten year anniversary. We’d had, oh, I don’t know, maybe …” She stabbed a piece of lettuce as she thought. “I’m not sure, but definitely a few, if not several, tries before then.” She shoved the lettuce in her mouth.

“Really. Several?” Peabody swallowed a bite of salad and then sipped his champagne.

She nodded. “Absolutely. You see, I met my beloved Benji one month – and I was twenty-eight by then, so in the world’s eyes, and that of my family, I was darn near a spinster and utterly without hope – and I married him the next month, and then we spent the next fifty years happily trying to kill each other. By choice.”

“By choice.”

“Of course.” She returned the champagne flute to its place near the untouched glass of chardonnay. “Murder/suicide pacts. One after the other. All of them sincere. All of them determined and, one would hope, well thought out. And all of them ending either dismally or disastrously, take your pick.” She dabbed the napkin to her lips. “Never could get it right.” Napkin in hand, she put her elbows on the table and leaned forward. “And when we got it wrong, boy howdy did we get it wrong.”

“So now it’s Mr. Peabody to the rescue?” The affable stranger, the napkin covering his lap, speared another piece of lettuce.

Stay tuned for more in the weeks to come!!!!  :)

A taste of Bullet

Coming soon from one of the top publishers of dark fiction and horror, the award-winning Crystal Lake Publishing (click link for author bio), here’s the tiniest taste of my current WIP, Eidolon Avenue, a collection of novellas and short stories due out in early-2016.

Can’t WAIT to see the cover for this one.


“Cool tats,” she’d said. It was afternoon. Late afternoon. The sun wasn’t as bright. The shadows were long. And the shop had tossed his ass out. Had gone around the corner to take a leak and then puke the pancakes up by a dumpster.

Shitty stomach couldn’t keep anything down these days.

“Cool tats.” Those were the first words from the girl with the forked tongue. “I’m Eve.” She’d stood near, her eyes sleepy and dark.

“Of course you are,” he remembered saying. He’d wished he had a mint.

Coming closer, she’d dragged her thumb through the puke along his bottom lip. Stuck it in her mouth. Sucked and then smiled.

Fuck yeah. Twisted chicks. Loved ‘em.

“I do tats,” she’d said. Goth chick with a Daddy’s Girl Gone Bad vibe. Hair fifty shades of black. Bangs chopped with a razor. Big eyes rimmed with black. Skin as pale as ice with dark blue smeared on her lips. Metal in her ears, nose, chin. Her small white teeth chewing the bright blue from her stubby nails.

Tiny and thin, her nipples poking from a thin tank that ended right below her tits, she stood there with a skirt the size of a bandaid and legs like a fuckin’ Halloween skeleton. The kind you’d stick in your yard and take down right before Thanksgiving. Only this one wore thick blue socks and battered combat boots.

What he wouldn’t give to see those boots up by her fuckin’ ears.

“You do tats?” His stomach had moved again.



“Where do you want it?” She’d taken the fingers from her mouth and stuck ‘em down the front of her skirt.

He’d puked.

He turned over and pushed his face into the mattress. The rest was just dark. Clouds and confusion. Walking nowhere. Talking about nothing. The feel of her arm around his waist. Her thin hair in his fist as she gripped his cock through his faded jeans. Night falling. The sound of sirens. The whirling flash of red in the dark. The chill in the air. His face hot. His bones cold. His muscles seizing. His heart racing. The air like knives stabbing his lungs as he tried to breathe. Trying to act like everything was okay when he knew something was very wrong.

One Happy Hybrid

You know what a hybrid is, right? In publishing, it’s someone who both self-publishes (as I did with Martuk … the Holy and Martuk … the Holy: Proseuche as well as The Martuk Series) and is published traditionally.

Well, as of today, I am now officially a hybrid.

From Crystal Lake Publishing:

After five months of reading 144 pitches and various sample chapter submissions (with the help of various sub readers – especially Ben Eads), Crystal Lake Publishing is proud to announce six projects chosen by us (and one surprise addition). We actually accepted seven, but we’re still negotiating with the author his novel. That announcement will be made at a later date.

In alphabetical order:

Theresa Derwin – GOD’S VENGEANCE novella
Mark Allan Gunnells – short story collection presently named FLOWERS IN A DUMPSTER
Alessandro Manzetti – EDEN UNDERGROUND poetry collection
Patrick Rutigliano – WIND CHILL novella
Jonathan Winn – EIDOLON AVENUE, a collection of shorts stories and novellas

A sincere congrats to all these authors. The competition was extremely tough, and you truly deserve to be here. I hope everyone takes the time to congratulate these folks, as well as take the time to get to know the ones you’re not familiar with.
I’m also extremely happy to announce that we’ll be publishing the print edition of Taylor Grant’s DARK AT THE END OF THE TUNNEL later this year. The eBook edition has been picked up by another excellent publisher, so more on that at a later date.

Here is a rough draft of our publishing schedule till end of this year (subject to change, of course):

July: Alessandro Manzetti’s EDEN UNDERGROUND
November: Taylor Grant’s DARK AT THE END OF THE TUNNEL
December: Patrick Rutigliano’s WIND CHILL

Thank you to everyone who took part in our very first open submission window, and all the best with your books. I’m sure we’ll have another open submission in the next year or so.

All the best,
Joe Mynhardt
Crystal Lake Publishing

So, there you have it! Huge congratulations to everyone.

I couldn’t be more excited to be working with the award-winning CLP and the fantastic Joe Mynhardt, a man who’s deeply respected and has an eye for talent. To have someone like him believe in what I was doing enough to say Yes is very exciting.

And that’s how you become One Happy Hybrid, my friends.

Novel of the Year?

With a strong handful of glowing reviews and having cracked the Top 100 of Horror on Amazon, do you think Martuk … the Holy: Proseuche could be considered a “Novel of the Year”?

If so, please consider taking a quick second to email


by November 28th with the subject line ‘This Is Horror Award Nominations 2014′ and nominate it for Novel of the Year. Just write them and say something quick like

Novel of the Year — Martuk … the Holy: Proseuche by Jonathan Winn

And then we’ll all sit back and cross our fingers, right? Right. ;)

facing the sinister unexpected

From here on out, whenever I’m asked why I insist on combing horror with history, I’m pointing people to this guest post I wrote for the release of Proseuche.

But the humanity of who we are is the same. That’s a constant. The petty thievery of politicians. The lies husbands tell wives, and wives tell husbands. The dreams children dare to dream about their future. The frustration we have with Them, whether that Them is the wealthy or politicians or annoying neighbors.

And the monsters. We can’t forget about the monsters. Even those that look and talk and act like us. Those are the same, too. The fear of the unknown. The pit in the stomach one feels at the sight of a deep, dark shadow. Though separated by millennia, the quiet terror that makes our hearts thump when faced with a sinister unexpected never changes.

This is why horror works so well in a historical context. This is why I’m driven to take my dark fiction out of the comfort of this contemporary Here and Now and toss it to the wolves of 3rd century Antioch or 1st century Jerusalem.

You can read the rest over here. Enjoy! :)

Who am I without my ghosts?

Blog tours can be tough.

On the one hand, you’re incredibly grateful for the opportunity to introduce your work to (hopefully) thousands of new eyes. On the other hand, you find yourself navigating the same questions in the same interviews time and time again. Or struggling to convince your tired brain — which is probably still in shock from writing eighty thousand words and then turning right around to edit and rewrite those same eighty thousand words — to come up with an awesome, amazing, incredible Guest Blog Post.

Well, I don’t always hit a homer, but this is one of the few times I swung for the bleachers and won. Here’s an excerpt:

For a moment, I’d forgotten who he was, this Martuk. Had forgotten about his birth in the sun-blasted Zagros mountains one thousand years before Christ. Had forgotten the centuries he’d seen. The bloody chaos he’d caused and the agony he’d endured. Reminded myself that this was a man who’d had a long life, a long immortality, even before something as unremarkable as a cup of coffee even existed.

I gave him a moment. “If I may, why the second book?” I said. “Why Proseuche? Was it something as simple as the story continuing?”

“Nothing’s that simple.” He finished his espresso in one final swallow, his finger raised to order a second. A small nod from me, and a second finger lifted to indicate two. “Writing doesn’t excorcise the ghosts. It emboldens them.”

“So why write?”

A moment of silence followed by a brief shrug. “Who am I without my ghosts? In this world that changes yet remains the same, they are one of my few constants. Their anger, their rage. Their fear and regret and sorrow. These things, I know them. They are familiar. Even here, even now, they walk with me.

“They are amaranthine. A word I now love, by the way,” he said with a grin. “Endless and forever and constant.”

Lesson? When in doubt, take Martuk out for coffee where he’ll most surely talk about Proseuche.

The World I Live In

You know that thing where I talk with SF Signal about the launch of Proseuche and what it’s like to write about an immortal in a genre full of sparkly vampires and stumbling zombies?

Yeah, that. Here’s an excerpt.

I don’t live in a world where sparkly vampires sigh like lovelorn teenagers, their emotional angst all but defanging them.

I don’t live in a world where zombies with endless appetites lurch and stumble, their ends often coming with a surprising thwack of a shovel.

No, where I live is truly monstrous. It’s dark and forbidding. A place where innocent lives have grisly ends and ghosts still sob. The world I live in is one of betrayal and mistrust. Where the line separating enemy from friend is cloudy and constantly shifting. A land where those who walk and talk like you and me share nothing of our humanity. The world of my immortal Martuk (as in “two” with a hard “k” at the end … Martuk) is one where monsters hide in plain sight, and the blood on their hands is steeped in consequence and regret.