Horror 201 … the book

It’s ready, folks. The paperback of Horror 201: The Silver Scream, Vol.2 now on pre-sale. So clickity-click right here and have a good laugh at me trying to sound smart.

Oh, go on, then. You know you want to.

horror 201 volume 2

“a killer collection of nightmares”

Eidolon Avenue (front cover)

“Lyrical, poetic, and devastating, Jonathan Winn’s Eidolon Avenue is everything good horror should be. At times, I couldn’t help feeling as if I was reading early Barker, and I can’t think of a higher compliment than that. Pay attention folks, Winn does as his name suggests, and this is a killer collection of nightmares.” – Kealan Patrick Burke, Bram Stoker Award-winning author of The Turtle Boy, Kin, and Sour Candy

Eidolon Avenue-full-cover

Eidolon Avenue: where the secretly guilty go to die.

One building. Five floors. Five doors per floor. Twenty-five nightmares feeding the hunger lurking between the bricks and waiting beneath the boards.

The First Feast.

A retired Chinese assassin in apartment 1A fleeing from a lifetime of bloodshed. A tattooed man in 1B haunted by his most dangerous regret. A frat boy serial killer in 1C facing his past and an elderly married couple stumbling and wounded from fifty years of failed murder/suicide pacts in 1D. And, finally, a young girl in 1E whose quiet thoughts unleash unspeakable horror.

All thrown into their own private hell as every cruel choice, every deadly mistake, every drop of spilled blood is remembered, resurrected and relived to feed the ancient evil that lives

on Eidolon Avenue.

Coming January 2016 from Crystal Lake Publishing.

First of Five

And so it begins.

In a rare confluence of events — think a massive meteor shower pummeling the earth while a rare comet circles the heavens around a total Solar Eclipse as we discover a Kardashian with actual talent — I’m going to have five book releases over the next three months.

I know, right?


First up, Horror 201: The Silver Scream

The definitive guide to filmmaking and filmmakers by the best in the field.

Horror 201: The Silver Scream, the follow-up to the Bram Stoker Award nominated Horror 101: The Way Forward, delves into the minds of filmmakers to see what it takes to produce great horror films, from the writing and funding process, to directing, producing, and writing tie-ins.

It’s a tome of interviews and essays by some of our favorite artists.

That’s right, film legends and authors such as Wes Craven, George A. Romero, Ray Bradbury, Ed Naha, Patrick Lussier, Stephen Volk, Nancy Holder, Tom Holland, John Shirley, William Stout, and John Russo want to share their expertise with you through informative, practical, career-building advice.

These are the folks behind movies and novelizations such as A Nightmare on Elm Street, Scream, Dark Shadows, Sleepy Hollow, Supernatural, Buffy, Resident Evil, The Stand, Sleepwalkers, Masters of Horror, The Fly, Critters, Tales from the Crypt, Child’s Play, Fright Night, Thinner, The Langoliers, Ted Bundy, Re-animator Unbound, Halloween, Apollo 18, The Eye, Night of the Living Dead, The Crow, The Mist, Pan’s Labyrinth, and Raiders of the Lost Ark.

Horror 201 also entertains. You’ll see a side of your favorite authors, producers, and directors never seen before – combining fun and entertainment with informative career-building advice.

Horror 201 is aimed at arming generations of authors, screenwriters, producers, directors, and anyone else interested in the film industry, from big budget movies to the independent film circuit, as well as the stage.

The definitive guide to filmmaking and filmmakers by the best in the field.

Whether you’re an accomplished author or screenwriter, writing as a hobby, or have dreams of writing screenplays or making movies, Horror 201 will take you on a behind the scenes tour of the Horror movie industry from Hollywood to the UK and Australia.

Horror 201 covers:

  • Horror as culture
  • Scare tactics
  • The evolution of the horror film
  • Viewer desensitization
  • Watching your story come to life
  • Screenwriting advice
  • Dissecting screenplays
  • A production company case study
  • Tricks of the trade
  • Writing tips
  • Advice on Producing
  • Advice on Directing
  • Information about funding and distributing a film
  • Entertaining tidbits and anecdotes


But wait, there’s more!!!!!!!

Horror 201: The Silver Scream is perfect for people who:

  • are looking to delve into screenplay writing
  • want to write their first screenplay
  • are fans of the horror movie industry
  • like to follow the careers of their favorite directors
  • are planning on infiltrating a different field in horror writing
  • are looking to pay more bills with their art
  • are trying to establish a name brand
  • are looking to get published
  • are looking for motivation and/or inspiration
  • are seeking contacts in the film industry

Amazing, right?

How about a cover?

Horror 201

Honestly, I love how the red of the car echoes the red in the title and the red in that other car. And the silver of the screen? With the woman screaming? To me, it’s ever so slightly reminiscent of —


So, one release down, four to go. And what are those other four books?

An essay in the second volume of Horror 201: The Silver Scream; Forever Dark, an award-winning short story in Tales from the Lake, Vol. 2; an essay in Writers on Writing, Vol. 2; and Eidolon Avenue: The First Feast.

All between now and January.


It just makes me feel all warm and fuzzy inside.


Okay, but, still, how cool is this!

Will update with links as the rest of these roll out.


utterly Umbra

Another peek at Eidolon Avenue, due out in early-2016 from Crystal Lake Publishing.

Really looking forward to seeing this book come together. ESPECIALLY the cover! There are some great ideas and some amazing creative back-and-forth going on with that. Sure to be frickin’ amazing. :)

And now, onto Umbra! (pronounced ewm-bra)

There was something living in the walls.

Still wearing her only black dress, a rose taken from the cemetery in one hand, her bright pink backpack in the other, she’d watched the stain in her new bedroom. Round and raised in the middle, like a bubble, it was different than the others.

And it was alive.

She’d known it the moment she’d walked in. Had felt it as she’d turned to put her backpack on the creaky bed. Had expected, when she first saw the stain two weeks ago, to see a face, two eyes, lips, a nose and cheeks and teeth, pushing from the wall.

But there’d only been a wide brown circle. A stain that wasn’t a stain. One that wasn’t long and dark like the others. One that hadn’t dripped from the ceiling to the floor. One that sat alone, removed from the others. Just like her.

“What kind of name is ‘Umbra’?” were the first words Gran had said when the big lady with the onion bagel breath first dropped her off. The State had decided this was where she had to be. With her dad as flat as a pancake under the car in the garage and her mom, after belting back her fifth Jack and Coke of the morning, shredding her throat by eating the glass, she’d had nowhere else to go.

“Worthless cunt never could hold her liquor,” Gran had said with a laugh.

Had she known there’d be a new home, a new school, new classes, and new kids, all making fun of the skinny girl with the boney knees who walked too slow and read too much, she wouldn’t have sorta accidentally wished her folks dead.